Menander and the Making of Comedy

Menander and the Making of Comedy

Menander and the Making of Comedy

Menander and the Making of Comedy

Synopsis

This fascinating introduction to the comedy of Menander is the work of two classical scholars, both of whom have worked extensively as theatre practitioners. This is the first book to consider the plays of Menander primarily as performance pieces and to uncover the dramatic technique of this widely admired comic writer, whose plays had all but disappeared until the 1950s. Looking at the theatrical context of Menandrian comedy in its widest sense, the book includes discussions of recent productions, the recovery of the texts, the treatment of women and slaves, the nature of Menander's comedy, and where it may have led within the European tradition. This book will be of interest to both students of theatre and classicists.

Excerpt

This book stems from the Greenwood Press series Lives of the Theatre. To facilitate use in college and university courses, some volumes have been selected to appear in paperback. This is such a volume. Lives of the Theatre is designed to provide scholarly introductions to important periods and movements in the history of world theatre from the earliest instances of recorded performance through to the twentieth century, viewing the theatre consistently through the lives of representative theatrical practitioners. Although many of the volumes will be centered on playwrights, other important theatre people, such as actors and directors, will also be prominent in the series. the subjects have been chosen not simply for their individual importance, but because their lives in the theatre can well serve to provide a major perspective on the theatrical trends of their eras. They are therefore either representative of their time, figures whom their contemporaries recognized as vital presences in the theatre, or they are people whose work had a fundamental influence on the development of theatre, not only in their lifetimes but after their deaths as well. While the discussion of verbal and written scripts will inevitably be a central concern in any volume that is about an artist who wrote for the theatre, these scripts will always be considered in their function as a basis for performance.

The rubric "Lives of the Theatre" is therefore intended to suggest biographies both of people who created theatre as an institution and as a medium of performance and of the life of the theatre itself. This dual focus . . .

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