Songs of Love and Death: The Classical American Horror Film of the 1930s


This book examines eleven horror films in-depth and their relationships to Romantic Gothic literary conventions--mainly, but not solely, found in works dating from the 18th and 19th centuries. To illustrate the use of these conventions in film, Sevastakis analyzes shots from scenes and sequences of all films discussed. Due to the large quantity of horror films produced during this period, the films in this book have been selected on the basis of their supernatural and preternatural content, and on four conventions predicated on fictional literary models dealing with the villain-hero.


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