Harold Pinter and the New British Theatre

Harold Pinter and the New British Theatre

Harold Pinter and the New British Theatre

Harold Pinter and the New British Theatre

Synopsis

Harold Pinter is universally described as "Britain's leading dramatist." This book evaluates the justification for this appellation. It examines his work in relation to changes taking place in the New British Theatre after the so-called theatrical revolution of 1956, and draws attention to those autobiographical experiences that have been transmuted into his art. Beginning with a look at the nature of British theatre prior to 1956, Peacock then describes Pinter's early life in the East End of London, his career as an actor, and his early writing. The discussion follows Pinter's life and work from The Room in 1957 to his most recent play, Ashes to Ashes in 1996. The author argues that although Pinter has not instigated an aesthetic revolution, he has, more significantly, through his representation of human behavior, provoked a new way of viewing the world.

Excerpt

Lives of the Theatre is designed to provide scholarly introductions to important periods and movements in the history of world theatre from the earliest instances of recorded performance through to the twentieth century, viewing the theatre consistently through the lives of representative theatrical practitioners. Although many of the volumes will be centered upon playwrights, other important theatre people, such as actors and directors, will also be prominent in the series. The subjects have been chosen not simply for their individual importance, but because their lives in the theatre can well serve to provide a major perspective on the theatrical trends of their eras. They are therefore either representative of their time, figures whom their contemporaries recognized as vital presences in the theatre, or they are people whose work was to have a fundamental influence on the development of theatre, not only in their lifetimes but after their deaths as well. While the discussion of verbal and written scripts will inevitably be a central concern in any volume that is about an artist who wrote for the theatre, these scripts will always be considered in their function as a basis for performance.

The rubric "Lives of the Theatre" is therefore intended to suggest both biographies of people who created theatre as an institution and as a medium of performance and of the life of the theatre itself. This dual focus will be illustrated through the titles of the individual volumes, such as Christopher Marlowe and the Renaissance of Tragedy, George Bernard Shaw and the Socialist Theatre, and Richard Wagner and Festival Theatre, to name just a few. At the same time, although the focus of each volume will be different, depending on the particular subject, appropriate emphasis will be given to the cultural and political context within which the theatre of any given time is set. Theatre itself can be seen to have a palpable effect upon the social world around it, as it both reflects the life of . . .

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