The Critical Response to Anais Nin

The Critical Response to Anais Nin

The Critical Response to Anais Nin

The Critical Response to Anais Nin


Best known for her diary, Anais Nin was also the author of several novels, short fiction, and a book on D.H. Lawrence. As a woman who made a career of her aesthetic femininity, her works helped shape the future of gender studies and feminist literary criticism. Her writings have challenged numerous critics, while her life has been equally fascinating. The selections in this book represent the critical response to her works, from her first efforts in the 1930s to the posthumous publication of unexpurgated diary volumes beginning in 1986, including the views of major biographers and contemporary critics.


Critical Responses in Arts and Letters is designed to present a documentary history of highlights in the critical reception to the body of work of writers and artists and to individual works that are generally considered to be of major importance. the focus of each volume in this series is basically historical. the introductions to each volume are themselves brief histories of the critical response an author, artist, or work has received. This response is then further illustrated by reprinting a strong representation of the major critical reviews and articles that have collectively produced the author's, artist's, or work's critical reputation.

The scope of Critical Responses in Arts and Letters knows no chronological or geographical boundaries. Volumes under preparation include studies of individuals from around the world and in both contemporary and historical periods.

Each volume is the work of an individual editor, who surveys the entire body of criticism on a single author, artist, or work. the editor then selects the best material to depict the critical response received by an author or artist of his/her entire career. Documents produced by the author or artist may also be included when the editor finds that they are necessary to a fun understanding of the materials at hand. in circumstances where previous isolated volumes of criticism on a particular individual or work exists, the editor carefully selects material that better reflects the nature and directions of the critical response over time.

In addition to the introduction and the documentary section, the editor of each volume is free to solicit new essays on areas that may not have been adequately dealt with in previous criticism. Also, for volumes on living writers and artists, new interviews may be included, again at the discretion of the . . .

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