"Since the paintings of Vermeer were rediscovered at the end of the nineteenth century, they have been the subject of much speculation, fascination, and conjecture. With full-page color reproductions of each of Vermeer's paintings, this monograph will prove indispensable to the reader who wishes to discover the artist and his work, as well as to the scholar seeking a new and insightful reading on the subject."
Related books and articles
Johannes Vermeer, Painter of Delft, 1632-1675 By P. T. A. Swillens Spectrum, 1950
Giants of Delft: Johannes Vermeer and the Natural Philosophers : The Parallel Search for Knowledge during the Age of Discovery By Robert D. Huerta Bucknell University Press, 2003
Technological Effects on Aesthetic Evaluation: Vermeer and the Camera Obscura By Hantula, Donald A. Sudduth, Mary Margaret Clabaugh, Alison The Psychological Record, Vol. 59, No. 3, Summer 2009
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Peter Paul Rubens: Impressions of a Master. Exhibition By Mulvihill, Maureen E. Seventeenth-Century News, Vol. 70, No. 1-2, Spring-Summer 2012
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Vermeer's Hat: The Seventeenth Century and the Dawn of the Global World By Leef, George Freeman, Vol. 59, No. 6, July/August 2009
Looking/Learning: Johannes Vermeer - Legacy of Light By Russell, Lynn D. School Arts, Vol. 98, No. 3, November 1998
Trip through Time / Exploring the Mysteries of a Great Painter: Johannes Vermeer (1632-1675) in Delft By Miyoshi, Masufumi The Daily Yomiuri (Toyko, Japan), March 10, 2015
The Genius with a Delft Touch with a Delft Touch; Discovering the Dutch Canal City That Was Home to Vermeer, Celebrated Old Master and an Enigma to the Grave . . . and Beyond By Milton, Giles The Mail on Sunday (London, England), June 24, 2001
FREE! Olivares, Gaspar de Guzmán, conde-duque de The Columbia Encyclopedia, 6th ed., 2015