The Cultural Contradictions of Capitalism

The Cultural Contradictions of Capitalism

The Cultural Contradictions of Capitalism

The Cultural Contradictions of Capitalism

Synopsis

Since its original publication in 1976, The Cultural Contradictions of Capitalism has been hailed as an intellectual tour de force that redefines how we think about the relationship among econmomics, culture, and social change. Daniel Bell, the author of such other modern classics as The End of Ideology and The Coming of Post-Industrial Society, argues that the unbounded drive of modern capitalism undermines the moral foundations of the original Protestant ethic that ushered in capitalism itself. In a major new afterword, Bell offers a bracing perspective on contemporary Western society, from the end of the Cold War to the rise and fall of postmodernism, revealing the crucial cultural fault lines we face as the twenty-first century approaches.

Excerpt

That fabulous polymath Samuel Johnson maintained that no man in his right mind ever read a book through from beginning to end. His own method was to glance rapidly through the pages, read only the parts that interested him, and skip all the rest.

This is one way of knowing a book, and for a clever reader it may suffice. But these days, many persons do not read a book but read of it, and usually from reviewers. Given the constraints of the media and the nature of the culture, this knowledge at one remove contains a peril. For one thing, even when a book has a complex argument, most reviewers, busy people they, sprint through a book seeking to catch a few lines to encapsulate the argument and to find a tag which can locate the author into the comfortable niches of the marketable vocabularies of conversation. Since the dominant bias in American culture is a liberal one, an argument that cuts across that liberalism makes some reviewers uncomfortable. And those whose work decries those aspects of contemporary culture which make cheap claims to "liberation," often find themselves labeled as "neo-conservative."

In its own terms, such a designation is meaningless, for it assumes that social views can be aligned along a single dimension. (What is ironic, in fact, is that those who decry the "one-dimensional" society, often hold such a one-dimensional view of politics.) In the larger historical context, the phrase makes no sense because the kind of cultural criticism I make--and I think of similar criticisms by Peter Berger and Philip Rieff--transcend the received categories of liberalism, and seek to treat the dilemmas of contemporary society within a very different framework.

Since an author's point of view is relevant to the understanding of his intentions, I think it not amiss to say that I am a socialist in economics, a liberal in politics, and a conservative in culture. Many persons might find this statement puzzling, assuming that if a person is a radical in one realm, he is a radical in all others; and, conversely . . .

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