Music in the English Courtly Masque, 1604-1640


Those privileged enough to attend performances of masques at court in the early seventeenth century invariably commented on the sumptuousness of the music. Yet our view of the masque has been dominated by the texts, and indeed, modern scholarship has tended to treat the masque first and foremost as a literary genre. This book is the first complete study of the multi-faceted view of its subject, piecing together a picture of what the music was actually like from musical scores, documentary evidence, and the dramatic texts.

Additional information


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.