Surrealism in Art


surrealism (sərē´əlĬzəm), literary and art movement influenced by Freudianism and dedicated to the expression of imagination as revealed in dreams, free of the conscious control of reason and free of convention. The movement was founded (1924) in Paris by André Breton, with his Manifeste du surréalisme, but its ancestry is traced to the French poets Baudelaire, Rimbaud, Apollinaire, and to the Italian painter, Giorgio de Chirico. Many of its adherents had belonged to the Dada movement. In literature, surrealism was confined almost exclusively to France. Surrealist writers were interested in the associations and implications of words rather than their literal meanings; their works are thus extraordinarily difficult to read. Among the leading surrealist writers were Louis Aragon, Paul Éluard, Robert Desnos, and Jean Cocteau, the last noted particularly for his surreal films. In art the movement became dominant in the 1920s and 30s and was internationally practiced with many and varied forms of expression. Salvador Dalí and Yves Tanguy used dreamlike perception of space and dream-inspired symbols such as melting watches and huge metronomes. Max Ernst and René Magritte constructed fantastic imagery from startling combinations of incongruous elements of reality painted with photographic attention to detail. These artists have been labeled as verists because their paintings involve transformations of the real world. "Absolute" surrealism depends upon images derived from psychic automatism, the subconscious, or spontaneous thought. Works by Joan Miró and André Masson are in this vein. The movement survived but was greatly diminished after World War II.

See A. Breton, Manifestoes of Surrealism (tr. 1969); L. Lippard, ed., Surrealists on Art (1970); R. Brandon, Surreal Lives (1999); studies by P. Waldberg (1966), W. S. Rubin (1969), S. Alexandrian (1970), H. S. Gershman (1969, repr. 1974), J. H. Matthews (1977), E. B. Henning (1979), A. Balakian (1987), H. Lewis (1988), and M. Nadeau (tr. 1967, repr. 1989).

The Columbia Encyclopedia, 6th ed. Copyright© 2018, The Columbia University Press.

Surrealism in Art: Selected full-text books and articles

Dada and Surrealism: A Very Short Introduction By David Hopkins Oxford University Press, 2004
The Imagery of Surrealism By J. H. Matthews Syracuse University Press, 1977
Surrealist Women: An International Anthology By Penelope Rosemont University of Texas Press, 1998
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Surrealism and the Exotic By Louise Tythacott Routledge, 2002
The Expanding Discourse: Feminism and Art History By Norma Broude; Mary D. Garrard Westview Press, 1992
Librarian's tip: Chap. 21 "Ladies Shot and Painted: Female Embodiment in Surrealist Art"
Age of Surrealism By Wallace Fowlie Swallow Press, 1950
Erotic Ambiguities: The Female Nude in Art By Helen McDonald Routledge, 2001
Librarian's tip: Chap. 7 "Turning Ambiguity Around"
Eros in the Mind's Eye: Sexuality and the Fantastic in Art and Film By Donald Palumbo Greenwood Press, 1986
Librarian's tip: Chap. 5 "Sex in Surrealist Art"
Everyday Life and Cultural Theory: An Introduction By Ben Highmore Routledge, 2002
Librarian's tip: Chap. 4 "Surrealism: The Marvellous in the Everyday"
Max Ernst By William S. Lieberman Museum of Modern Art, 1961
Surrealism and Architecture By Thomas Mical Routledge, 2004
A Dictionary of Twentieth-Century Art By Ian Chilvers Oxford University Press, 1999
Librarian's tip: "Superrealism" begins on p. 597 and "Surrealism" begins on p. 599
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