Henri de Toulouse-Lautrec

Henri de Toulouse-Lautrec: Selected full-text books and articles

Lautrec: Biographical and Critical Studies By Jacques Lassaigne; Stuart Gilbert Skira, 1953
Toulouse Lautrec By Jacques Lassaigne; Mary Chamot Hyperion Press, 1939
Toulouse-Lautrec: Exhibition Organized in Collaboration with the Albi Museum By Philadelphia Museum Of Art; The Art Institute Of Chicago Philadelphia Museum of Art, 1955
French Original Engravings from Manet to the Present Time By Claude Roger-Marx; André Gloeckner The Hyperion Press, 1939
Librarian's tip: "The Lithographs of Toulouse-Lautrec"
History of Modern Painting: From Baudelaire to Bonnard: The Birth of a New Vision By Maurice Raynal; Stuart Gilbert Albert Skira, 1949 (2nd edition)
Librarian's tip: "Toulouse-Lautrec" begins on p. 85
The Impressionists By Ludwig Goldscheider; Wilhelm Uhde The Phaidon Press, 1937
Librarian's tip: Chap. III "Degas, Gauguin, Lautrec"
FREE! Modern Art: Being a Contribution to a New System of Aesthetics By Julius Meier-Graefe; Florence Simmonds; George W. Chrystal G. P. Putnam's Sons, vol.1, 1908
Librarian's tip: "Henri de Toulouse-Lautrec" begins on p. 283
Graphic Arts in the Twentieth Century By Wolf Stubbe Frederick A. Praeger, 1963
Librarian's tip: Discussion of Henri de Toulouse-Lautrec begins on p. 24
A Dictionary of Modern Painting By Carlton Lake; Robert Maillard Tudor Publishing, 1956
Librarian's tip: "Toulouse-Lautrec" begins on p. 292
Men and Memories: Recollections of William Rothenstein By William Rothenstein Coward-McCann Inc., 1931
Librarian's tip: Discussion of Toulouse-Lautrec begins on p. 65
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Montmartre By Pierre Courthion Skira, 1956
Librarian's tip: "Lautrec's Perambulations" begins on p. 57
Paris in Our Time By Pierre Courthion Skira, 1957
Librarian's tip: Lautrec's and Bonnard's Paris" begins on p. 57
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