Michelangelo Antonioni

Michelangelo Antonioni (mëkālän´jālō äntōnyô´nē), 1912–2007, Italian film director and scriptwriter, b. Ferrara, Italy. In the 1940s he made documentaries that contributed to the development of Italian neorealism. His later feature films, which turned away from neorealism to more personal statements, proved to be controversial among audiences and extremely influential with younger filmmakers. These slow-moving and often enigmatic works deal with the alienation, malaise, and loveless eroticism of modern life, with plot and dialogue often subordinate to visual and aural images. His works include Le Amiche (1955); a trilogy consisting of L'Avventura (1960), La Notte (1961), and L'Eclisse (1962); The Red Desert (1964), his first color film; Blow-Up (1966), his best-known film; Zabriskie Point (1970), his first American film and a commercial flop; The Passenger (1975); Identification of a Woman (1982); and Beyond the Clouds (1995), based on a book of his short stories.

See C. di Carlo and G. Tinazzi, The Architecture of Vision: Writings and Interviews on Cinema/Michelangelo Antonioni (tr. 1996, repr. 2007); studies by I. Cameron and R. Wood (rev. ed. 1971), S. Chatman (1985), S. Rohdie (1990), W. Arrowsmith, ed. (1995), and P. Brunette (1998); T. Perry, Michelangelo Antonioni, A Guide for Reference and Resources (1986); E. Antonioni's Making a Film for Me Is Living (film, 1995).

The Columbia Encyclopedia, 6th ed. Copyright© 2016, The Columbia University Press.

Michelangelo Antonioni: Selected full-text books and articles

Michelangelo Antonioni: An Introduction By Pierre Leprohon; Michelangelo Antonioni; Scott Sullivan Simon and Schuster, 1963
Screenplays of Michelangelo Antonioni By Michelangelo Antonioni Orion Press, 1963
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Film and the Critical Eye By Dennis DeNitto; William Herman Macmillan, 1975
Librarian’s tip: Chap. 16 "L'Avventura (The Adventure)"
Vital Crises in Italian Cinema: Iconography, Stylistics, Politics By P. Adams Sitney University of Texas Press, 1995
Librarian’s tip: Chap. 7 "Antonioni's Psychoanalysis of the 'Boom'"
The Contemporary Cinema By Penelope Houston Penguin Books, 1963
Librarian’s tip: Discussion of Michelangelo Antonioni begins on p. 21
The Oxford History of World Cinema By Geoffrey Nowell-Smith Oxford University Press, 1997
Librarian’s tip: Discussion of Michelangelo Antonioni begins on p. 568
A History of Narrative Film By David A. Cook W.W. Norton, 1996 (3rd edition)
Librarian’s tip: "Michelangelo Antonioni" begins on 612
Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson By Richard Allen; Malcolm Turvey Amsterdam University Press, 2003
Librarian’s tip: "From the Air: A Genealogy of Antonioni's Modernism" begins on p. 183
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