Sergei Eisenstein: Selected full-text books and articles
Ivan the Terrible, a Screenplay Simon & Schuster, 1962PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Closely Watched Films: An Introduction to the Art of Narrative Film Technique University of California Press, 2004
Librarian’s tip: Chap. 2 "The Art of Montage: Sergei Eisenstein's The Battleship Potemkin"
The Occult in Russian and Soviet Culture Cornell University Press, 1997
Librarian’s tip: Chap. Twelve "Sergei Eisenstein's Gnostic Circle"
Classical Myth & Culture in the Cinema Oxford University Press, 2001
Librarian’s tip: Chap. IX "Ancient Poetics and Eisenstein's Films"
Film Feminisms: Theory and Practice Greenwood Press, 1985
Librarian’s tip: Chap. 2 "Reading Eisenstein"
Theories of Film Viking Press, 1974
Librarian’s tip: Chap. 2 "Eisenstein: Great Beginnings"
The Major Film Theories: An Introduction Oxford University Press, 1976
Librarian’s tip: Chap. 3 "Sergei Eisenstein"
Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Amsterdam University Press, 2003
Librarian’s tip: "Eisenstein's Philosophy of Film" begins on p. 127
A History of Narrative Film W.W. Norton, 1996 (3rd edition)
Librarian’s tip: Discussion of Sergei Eisenstein begins on p. 140
An American Tragedy: The Shotgun Wedding of Moscow and Hollywood: Thomas Doherty Examines a Series of Conflicts between Left-Wing Artists and Movie Moguls at the Time of Sergei Eisentein's Brief Sojourn in Tinseltown in the 1930s History Today, Vol. 52, No. 5, May 2002
Looking for a topic idea? Use Questia's Topic Generator