Claude McKay

Claude McKay: Selected full-text books and articles

FREE! The Book of American Negro Poetry: Chosen and Edited, with an Essay on the Negro's Creative Genius By James Weldon Johnson Harcourt, Brace, 1922
PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Claude McKay: A Black Poet's Struggle for Identity By Tyrone Tillery University of Massachusetts Press, 1992
A Long Way from Home By Claude McKay; Gene Andrew Jarrett Rutgers University Press, 2007
PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
"A Chafing Savage, Down the Decent Street": The Politics of Compromise in Claude McKay's Protest Sonnets By Keller, James R African American Review, Vol. 28, No. 3, Fall 1994
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
The Harlem Renaissance: The One and the Many By Mark Helbling Greenwood Press, 1999
Librarian's tip: Chap. 5 "'Universality of Life under the Different Colors and Patterns': Claude McKay"
Dialect of Modernism: Race, Language, and Twentieth-Century Literature By Michael North Oxford University Press, 1998
Librarian's tip: Chap. 5 "Quashie to Buccra: The Linguistic Expatriation of Claude McKay"
Black American Poets and Dramatists of the Harlem Renaissance By Harold Bloom Chelsea House, 1995
Librarian's tip: "Claude McKay" begins on p. 110
Harlem Renaissance Re-Examined By Victor A. Kramer; Robert A. Russ Whitston, 1997 (Revised edition)
Librarian's tip: "'There's No Place like Home': The Carnival of Black Life in Claude McKay's Home to Harlem" begins on p. 355
Race and the Modern Artist By Heather Hathaway; Josef Jařab; Jeffrey Melnick Oxford University Press, 2003
Librarian's tip: "Exploring 'Something New': The 'Modernism' of Claude McKay's Harlem Shadows" begins on p. 54
African American Authors, 1745-1945: A Bio-Bibliographical Critical Sourcebook By Emmanuel S. Nelson Greenwood Press, 2000
Librarian's tip: "Claude McKay (1889-1948)" begins on p. 338
Black Masculinities as Marronage: Claude Mckay's Representation of Black Male Subjectivities in Metropolitan Spaces By Hugh Brown, Jarrett Journal of Pan African Studies, Vol. 5, No. 1, March 2012
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
"The Loud Music of Life": Representations of Jazz in the Novels of Claude McKay By Barros, Paul de The Antioch Review, Vol. 57, No. 3, Summer 1999
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