This is a fairly comprehensive list of items dealing with the special relationship of literature to film. It is by no means definitive. In compiling the items that follow, I have restricted myself to studies that deal with general aspects of the literature/film problem; reviews, except in a few cases, have been excluded; and from the numerous studies of individual films I have included only those (like Battestin's, for example) which also deal substantively with the general topic of literary adaptation. I have thought it useful to do some cross-referencing. Except insofar as they contain substantial treatments of the problem, books on film technique and theory and anthologies about film in general have been omitted. Several of the studies include bibliographies for material that has been excluded here.
Agel, Henri. "L'Adaptation." In Sept ans de cinéma francais. Paris: Ed. du Cerf, 1952.
Algren, Nelson. "Hollywood Djinn." The Nation (July 25, 1953), 68-70.
Alpert, Hollis. "The Film Is Modern Theater" (1957) . In Film: A Montage of Theories. Ed. Richard Dyer MacCann. New York: Dutton, 1966, pp. 108-12.
Armes, Roy. The Ambiguous Image: Narrative Style in Modern European Cinema. Bloomington: Indiana University Press, 1976.
Arnheim, Rudolf. "Epic and Dramatic Film." Film Culture, 3 (1957), 9-10.
Asheim, Lester. "From Book to Film: Summary." The Quarterly of Film, Radio, and Television [now Film Quarterly] , 6 (Spring 1951), 258-73. (The last of a series of four parts based on Asheim's unpublished dissertation, "From Book to Film," Univ. of Chicago, 1949.]
Astre, Georges-Albert. "Les deux langages." La Revue des lettres modernes, 5 (Summer 1958). 135-49.
Baird, James Lee. "The Movie in Our Heads: An Analysis of Three Film Versions of Theodore Dreiser's An American Tragedy." Diss. Univ. of Washington, 1967.
Bálázs, Béla. 'The Script" and "Art Form and Material." In Theory of the Film: Character and Growth of a New Art  . Trans. Edith Bone. New York: Dover, 1970, pp. 246-57 and 258-65 respectively. [The second piece is reprinted in Mast and Cohen (see below), pp. 268-75.]
Barrett, Gerald R. and Thomas L. Erskine. From Fiction to Film: Conrad Aiken's "Silent Snow, Secret Snow." Encino, Calif.: Dickenson Publishers, 1972.
______________ From Fiction to Film: Ambrose Bierce's "An Occurrence at Owl Creek Bridge." Encino, Calif.: Dickenson Publishers, 1973.
______________ From Fiction to Film: D. H. Lawrence's "The Hocking Horse Winner." Encino, Calif.: Dickenson Publishers, 1975.
Bauestin, Martin C "Osborne's Tom Jones: Adapting a Classic." Virginia Quarterly Review, 42 (1966), 378-93. [Reprinted in Man and the Movies, ed. W. R. Robinson (Baton Rouge: Louisiana State Univ. Press, 1967), pp. 31-45; and in Marcus (see below).]
Bauer, Leda V. "The Movies Tackle Literature." American Mercury. 14 (July 1928), 288-94.
Bazin, André. "In Defense of Mixed Cinema" and "Theater and Cinema." In What Is Cinema? Trans. Hugh Gray. 2 vols. Berkeley and Los Angeles: The University of California Press, 1967. Vol. I, pp. 53-75 and 76-124 respectively. [The essay on theater and film is reprinted in Mast and Cohen (see below), pp. 276-90.]
Bergman, lngmar. "Introduction: Bergman Discusses Film-making." In Four Screenplays of lngmar Bergman. Trans. Lars Malmstron and David Kushner. New York: Simon and Schuster, 1960, pp. 13-22. [Excerpts reprinted as "Film Has Nothing to Do with Literature," in Film: A Montage of Theories, ed. Richard Dyer MacCann (New York: Dutton, 1966), pp. 142-46.]
Bersani, J., et al. La Littérature en France depuis 1945. Paris: Bordas, 1970. [Has a chapter on film and literature.]
Bluestone, George. "Word to Image: The Problem of the Filmed Novel." The Quarterly of Film, Radio, and Television [now Film Quarterly], 11 (1956), 171-80.
______________. Novels into Film . …