Academic journal article Women's Studies Quarterly

Images from the Hannah Montana Series

Academic journal article Women's Studies Quarterly

Images from the Hannah Montana Series

Article excerpt

Thanks to a series of controversial music videos and live performances, pop star Miley Cyrus is back in the news, prompting strong reactions as well as a public debate about the nature of feminism. In the wake of Cyrus's new incarnation as a twerking, pot-smoking provocateur, it is perhaps easy to forget that just a few years ago she epitomized all-American tweendom with her hit television show Hannah Montana and her wholesome, girl-next-door persona. At the height of the TV show's popularity in 2008, Cyrus drew an enormous crowd to her concert at Reliant Stadium in Houston, Texas. I happened to be in the area and saw thousands of young girls on their way to the concert, fully arrayed in Hannah Montana costumes, with makeup, toy microphones, and long blonde wigs. Struck by the scene, I stopped a number of the families and asked the girls to pose for portraits wearing their concert outfits. Some of the parents agreed, and through them I met more Hannah Montana fans, who also wanted to participate.

My photographs have long dealt with issues of gender and sexuality, especially as they intersect with popular culture, beauty, and consumption. In particular, I have been interested in how mainstream media outlets portray women and girls, and how the subjects of those portraits in turn form their own communities, subcultures, and realities. My photographs of Hannah Montana fans, which were taken in 2008 and 2009, explore how these girls (ages four to eleven) emulate their idol through carefully crafted appearances that at first seem rigorously conformist, but which also allow for creative possibilities. …

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