Academic journal article Asian Social Science

Hypertext of Duysebek Nakipov

Academic journal article Asian Social Science

Hypertext of Duysebek Nakipov

Article excerpt

Abstract

In the given paper the aesthetic, stylistic, especially poetological features of D. Nakipov (famous Kazakh poet and writer) are studied, the main features of the author's discourse are also examined. They fit well within the parameters of postmodern literary techniques and style, for example: function codes and markers, symbolism, affectation syntax and quirky shapes, expressiveness and impressionism can be relegated. By analyzing the aesthetic component of the work, the characteristics of author discourse, conceptual characteristics and strategies of the author, there is the conclusion that the novel of D. Nakipov is a sample of postemodern hypertext literature in a new wave of Kazakhstan.

Keywords: Hypertext, fractal, puzzle, culture-rheme, marker, post-modernism, author's discourse

1. Introduction

Nowadays Dyusebek Nakipov is one of the largest and most successful creative figures in contemporary culture of Kazakhstan. The scale and diversity of his work attracted the attention of influential critics, researchers (Badikov, 2009, pp. 122-127).

In aesthetics of D. Nakipov (here aesthetics is spoken in the meaning of literary techniques, in fact the writer's post-modernist thinking exploits intension of desanctification, demystification of traditional values) element of text dominates, it is often the element of radically changed, syntactically transformed text. It is known that plot's internal engine is systematization of character's development in the aesthetics of realism. Modernism has already refused this principle, having suggested another structural paradigm - integrity forms not by character's movement, but by author's model of universe, wherein not infrequently, even decadence, decay of introverted beginning was such model. Post-modern went further. Element of author's discourse, text's demiurge or author-creator's strategy prevail completely and entirely in the aesthetics of realism. Philosopher Nurzhanov B. writes about this: "The concept of" text "(derived from it the notion of" context "," intertextuality "," hypertext ") becomes the central concept of post-modernism and post-modern aesthetics. Semiotic principles of textual analysis have become the dominant methodology of postmodernism. Art in this perspective is seen as a form of discourse that has its own rules, its grammar and syntax, its own system of signification (signification), their hidden assumptions and preconditions " (Nurzhanov, 2010, p. 34). Although literary character, model of the world still do exist in it, they lose their social value, they are not interesting as essence and objects, another element rules the roost, another power, and this is interior power of the text itself, constitutive intension of the author-demiurge. "In all studied work, N. K. Sarsekeev notes that not characters move the plot, but author's wordy play. Hence, spinning "literariness" of the author's image, which is responsible for main author's target - convincing without homily, provoking a reader for co-creation, "thinking and conjecturing", "finishing design" of the text" - theorist L. V. Safronova writes (2006, p. 18).

Aspects that are important for understanding the aesthetics of postmodernism is that the word game in the world of text appears advantageous strategy that assumes the character of the structure-forming paradigm. "Permutations of the text - the interchangeability of parts of the text found in the literature of postmodernism (Borhes "Hopscotch", M. Pavic "Dictionary of the Khazars", "Eternity and a Day", "Bite angel" P. Krusanov). Permutation allows the reader to engage in active co-creation and at the same time emphasizes the possibility of multiple interpretations and finals fate of the characters, the story of intrigue"- emphasizes A. K. Ishanova (2008, p. 365).

2. Method

Before modernism and post-modernism, text in the world literature existed as means of embodiment, implementation, realization of the plot's word in art, movement of literary character (antropological principle) either way bears objective and subjective thought about universe. …

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