Academic journal article Millennium Film Journal

ARTIST PAGES: BRUCE McCLURE

Academic journal article Millennium Film Journal

ARTIST PAGES: BRUCE McCLURE

Article excerpt

EXCRESCENCE ON TIME

Modernist space gives us something to change if we can. Tony Smith's Finnegans Wake, Gracehoper! While an elephant's house is his castle, sparrow songs on canvas are lucksomes. Auspice it, sing-a-chamber fluff-balls safe through din and danger. I hold out my hand for a night lifting surpassing myself in an introduction to yes. Thachment painted darkness, scrawled or voided on a buttress, search engines binocular from embrasured windows. Courting daylight in saving darkness, a proper promontory, a door that is always open for a new grope through life before there is time for an avenging return. Under safe conduct I ask no kinder than to know where I am passing this moment. Bombolts fashioned after each flash, there is space to look into it more closely, a personal problem, a locative enigma; the one field lying chap. I dispose of the problem naturalistic a spatialist's blink point drawing nearer for a slant at it. Let us see what may remain to be seen. Lights out to tickle ticks synchronous march between stable wind and the wish that the newly wet are bound to follow the spoof of visibility in a freak fog. A uniform matter of factness fist falls on errors and attention to omissions, repetitions and misalignment awkwardly perching like sick owls. Well held now, nostalgia preens from the safe side of distance all within crystal range. I'll go on with decisions to show, in good time, how products of our social stomach are mutually polarized in delusional acting, ambivalent in the fixation of pivotalism. Under the closed eyes of the inspector's traits chiaroscuro features coalesce, their contraries are eliminated in one stable somebody - the providential warring of house breakers. …

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