Academic journal article Notes

Recipients of the Eva Judd O'Meara Award

Academic journal article Notes

Recipients of the Eva Judd O'Meara Award

Article excerpt

An annual award for the best review published in NOTES.

2005 Ann Morrison Spinney, review of Writing American Indian Music: Historic Transcriptions, Notations, and Arrangements, edited by Victoria Lindsay Levine, Notes 59 (March 2003): 624-626.

2004 Tamara Levitz, review of Untwisting the Serpent: Modernism in Music, Literature, and Other Arts, by Daniel Albright; and Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Musical Theatre, by W. Anthony Sheppard, Notes 58 (March 2002): 556-560.

2003 Mark Germer, review of The New Grove Dictionary of Music and Musicians, 2d ed., edited by Stanley Sadie and John Tyrrell, Note 58 (December 2001): 320-325.

2002 Richard Kramer, review of Skizzen by Wolfgang Amadeus Mozart, vorgelegt von Ulrich Konrad (Neue Ausgabe sämtliche Werke, Ser. X: Supplement; Werkgruppe 30; Srudien, Skizzen, Entwiirfe, Fragmente, Varia, Bd. 3); and Concerto for Horn and Orchestra in ?-flat Major, K. 370-K. 371, by Wolfgang Amadé Mozart: A Facsimile Reconstruction of the Autograph Sources, Notes 57 (September 2000): 188-193.

2001 Philip Brett, review of "Benjamin Britten, The Beggar's Opera, Opus 43, ed. David Matthews; Who Are These Children?; King Arthur: Suite for Orchestra, adapted by Paul Hindmarsh (Music for Orchestra)," Notes 55 (March 1999):735-739.

2000 Andrew Dell'Antonio, review of Deconstructive Variations: Music and Reason in Western Society, by Rose Rosengard Subornick, Note 54 (June 1998): 894-897.

1999 Lynne Rogers, review of Stravinsky and the Russian Traditions: A Biography of the Works through Mama, by Richard Taruskin, Note 54 (December 1997): 438-441.

1998 Sanford Levinson and J. M. Balkin, review of Text and Act: Essays on Music in Performance, by Richard Taruskin, Note 53 (December 1996): 419-23.

1997 John Kmetz, review of Katalog der Musikdrucke des Johannes Petreius in Nürnberg, by Mariko Teramoto and Armin Brinzing, Notes 51 (June 1995): 1291-94.

1996 Stephen Miles, review of Wireless Imagination: Sound, Radio, and the Avant-Garde, edited by Douglas Kahn and Gregory Whitehead, Note 51 (September 1994): 65-68.

1995 Malcolm Hamrick Brown, review of The New Shostakovich, by Ian MacDonald, Note 49 (March 1993): 956-61. …

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