Academic journal article Arab Studies Journal

Editor's Note

Academic journal article Arab Studies Journal

Editor's Note

Article excerpt

In this issue, we are proud to feature a series of groundbreaking interventions. Ifdal Elsaket explores anti-Blackness in Egypt through the genre of "jungle films." She lays bare the racial and imperial fantasies that informed these films' popularity. Elsaket exposes a process of racialization through which Egyptians positioned themselves as superior and modern, at a time when Egypt's claims to Sudan took on a greater urgency and Blackness marked otherness. This deeply engrained vision of Africa as a place of inferiority would continue to inflect film and visual culture long after decolonization.

Suhad Daher-Nashif interrogates the national-civic service which has successfully targeted young Palestinian women who are citizens in Israel. Her ethnographic study carefully details the complex web of considerations, interests, and strategies that shape the national-civic service as a "trapped escape." Women's participation in the service reveals the mutually constitutive nature of Israeli colonial and Palestinian social structures. By showing how women use a colonial apparatus to escape patriarchal norms DaherNashif rethinks Palestinian experience in Israel as well as the imposition of and resistance to gender norms more broadly.

Nisa Ari explores the interaction between local and foreign artistic communities in early twentieth century Palestine. She focuses on the work of Palestinian artist Nicoal Saig (1863-1942) who copied photographs that the American Colony Photo Department (ACPD) produced. The relationship between Saig and the ACPD, Ari shows, reveals a multidirectional artistic exchange between local and foreign. She uncovers a world in which a diverse group of artistic agents employed different practices, produced and sold religious representations and object, and formed a vibrant economic market in late nineteenth and early twentieth century Palestine. …

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