Michael Ondaatje

Michael Ondaatje (Philip Michael Ondaatje) (ändät´chā), 1943–, Canadian writer, b. Colombo, Sri Lanka (then Ceylon). Immigrating (1962) to Canada, he attended the Univ. of Toronto (B.A., 1965) and Queen's Univ., Ontario (M.A., 1967). Since 1971 he has been an English professor at Glendon College, York Univ., Toronto. His first published works were poems, noted for their mixture of fact and fiction, real and surreal. His Collected Works of Billy the Kid (1970) blends poetry, prose, and visual materials into a compelling portrait of the American outlaw. Other poetry collections include The Dainty Monsters (1967), Rat Jelly (1973), The Cinnamon Peeler (1990), and Handwriting (1998). Ondaatje is best known for his novels, which also blend reality and imagination, exploring a variety of cultures and mingling present and past in richly evocative prose. The antithesis of linear narrative, his fiction is filled with incident and coincidence, often changing abruptly in time, style, and point of view. With his most celebrated novel, The English Patient (1992; film 1996), a tale of love and betrayal set in a ruined Italian villa during World War II, Ondaatje became the first Canadian to win the Booker Prize. His other novels are Coming through Slaughter (1976), In the Skin of a Lion (1987), Anil's Ghost (2000), Divisadero (2007), and The Cat's Table (2011). He also has written screenplays and edited anthologies and a literary journal.

See his memoir, Running in the Family (1982); studies by L. Mundwiler (1984), S. Solecki, ed. (1985), D. Barbour (1993), and E. Jewinski (1994).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Michael Ondaatje: Selected full-text books and articles

Asian American Novelists: A Bio-Bibliographical Critical Sourcebook
Emmanuel S. Nelson.
Greenwood Press, 2000
Librarian’s tip: "Michael Ondaatje (1943-)" begins on p. 289
Textual Hauntings: Narrating History, Memory, and Silence in the English Patient
Novak, Amy.
Studies in the Novel, Vol. 36, No. 2, Summer 2004
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
The English Patient: Michael Ondaatje's Characterization of the Nurse-Patient Relationship
Metcalf, James PhD.
Creative Nursing, Vol. 15, No. 1, January 1, 2009
Anil's Ghost and Terrorism's Time
Scanlan, Margaret.
Studies in the Novel, Vol. 36, No. 3, Fall 2004
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Literature and Film as Modern Mythology
William K. Ferrell.
Praeger, 2000
Librarian’s tip: Chap. 7 "Finding Yourself in a Lost World: The English Patient by Michael Ondaatje"
A Reader's Companion to the Short Story in English
Erin Fallon; R. C. Feddersen; James Kurtzleben; Maurice A. Lee; Susan Rochette-Crawley.
Greenwood Press, 2001
Librarian’s tip: "Michael Ondaatje (September 12, 1943-)" begins on p. 317
The Heterotopic Spaces of Postcolonial Trauma in Michael Ondaatje's Anil's Ghost
Burrows, Victoria.
Studies in the Novel, Vol. 40, No. 1-2, Spring-Summer 2008
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Justice and the Pathos of Understanding in Michael Ondaatje's Anil's Ghost
Kertzer, Jon.
English Studies in Canada, Vol. 29, No. 3-4, September-December 2003
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective
Christine Matzke; Susanne Mühleisen.
Rodopi, 2006
Librarian’s tip: "Confession, Autopsy and the Postcolonial Postmortems of Michael Ondaatje's Anil's Ghost" by Wendy Knepper begins on p. 35
Not Needing All the Words: Michael Ondaatje's Literature of Silence
Zsizsmann, Eva.
British Journal of Canadian Studies, Vol. 22, No. 1, May 2009
"Michael Ondaatje: Cat Burglar in the House of Fiction"
Kliman, Todd.
Hollins Critic, Vol. 31, No. 5, December 1994
Rites of Passage: Moving Hearts and Transforming Memories in Michael Ondaatje's the Cat's Table
Walker, Laura Savu.
ARIEL, Vol. 45, No. 1-2, January-April 2014
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Traumatic Representation: The Power and Limitations of Storytelling as "Talking Cure" in Michael Ondaatje's in the Skin of a Lion and the English Patient
Visvis, Vikki.
ARIEL, Vol. 40, No. 4, October 2009
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Parading the Underworld of New Orleans in Ondaatje's Coming through Slaughter
Deshaye, Joel.
American Review of Canadian Studies, Vol. 38, No. 4, Winter 2008
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Solos and Chorus: Michael Ondaatje's Jazz Politics/Poetics
Malcolm, Douglas.
Mosaic (Winnipeg), Vol. 32, No. 3, September 1999
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
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