Umberto Eco

Umberto Eco (əmbĕr´tō ĕcō), 1932–2016, Italian novelist, essayist, and semiotics scholar. His first novel, the best-selling Il nome della rosa (1980; tr. The Name of the Rose, 1983, film 1986), is a medieval murder mystery. A pastiche of detective fiction, medieval philosophy, and moral reflection, it encapsulates his semiotic theory, which describes how signs are produced and interpreted in the world. The novel presents clues for the reader to decode, but as the reader grapples with the novel's deeper meanings, the mystery becomes secondary. Eco's other novels, which also reflect his scholarly interests, include Il pendolo di Foucault (1988; tr. Foucault's Pendulum, 1989), L'isola del giorno prima (1994; tr. The Island of the Day Before, 1995), Baudolino (2000; tr. 2002), Il cimitero di Praga (2010; tr. The Prague Cemetery, 2011), and Numero Zero (2015; tr. 2015). A professor at the Univ. of Bologna, Eco also wrote more than 20 theoretical books, among them Trattato di semiotica generale (1975; tr. A Theory of Semiotics, 1976), The Role of the Reader (selected essays, tr. 1979), and I limiti dell'interpretazione (1990; tr. The Limits of Interpretation, 1990).

See studies by T. Coletti (1988) and M. T. Inge, ed. (1988).

The Columbia Encyclopedia, 6th ed. Copyright© 2018, The Columbia University Press.

Umberto Eco: Selected full-text books and articles

A Theory of Semiotics By Umberto Eco Indiana University Press, 1976
Serendipities: Language & Lunacy By Umberto Eco; William Weaver Columbia University Press, 1998
Don't Slip on the Media's Banana Skins By Eco, Umberto New Statesman (1996), Vol. 127, No. 4416, December 18, 1998
When the Other Appears on the Scene By Eco, Umberto Cross Currents, Vol. 52, No. 3, Fall 2002
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Pound, Joyce and Eco: Modernism and the "Ideal Genetic Reader." (Ezra Pound, James Joyce, Umberto Eco)(International Symposium on Genetic Criticism) By Rabate, Jean-Michel The Romanic Review, Vol. 86, No. 3, May 1995
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Debates in Continental Philosophy: Conversations with Contemporary Thinkers By Richard Kearney Fordham University Press, 2004
Librarian's tip: "Umberto Eco: Chaosmos: The Return of the Middle Ages" begins on p. 223
PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Culture and Critique: An Introduction to the Critical Discourses of Cultural Studies By Jere Paul Surber Westview Press, 1998
Librarian's tip: "Eco: The Role of the Reader and the Limits of Semiotics" begins on p. 177
The Parameters of Postmodernism By Nicholas Zurbrugg Southern Illinois University Press, 1993
Librarian's tip: "Umberto Eco and the Return to the Middle Ages" begins on p. 100
Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity By John Lechte Routledge, 1994
Librarian's tip: "Umberto Eco" begins on p. 127
Looking for a topic idea? Use Questia's Topic Generator
Search by... Author
Show... All Results Primary Sources Peer-reviewed

Oops!

An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.