Frankenstein

Shelley, Mary Wollstonecraft

Mary Wollstonecraft Shelley, 1797–1851, English author; daughter of William Godwin and Mary Wollstonecraft. In 1814 she fell in love with the poet Percy Bysshe Shelley, accompanied him abroad, and after the death of his first wife in 1816 was married to him. Her most notable contribution to literature is her novel of terror, Frankenstein, published in 1818. It is the story of a German student who learns the secret of infusing life into inanimate matter and creates a monster that ultimately destroys him. Included among her other novels are Valperga (1823), The Last Man (1826), and the partly autobiographical Lodore (1835). After Shelley's death in 1822, she devoted herself to caring for her aged father and educating her only surviving child, Percy Florence Shelley. In 1839–40 she edited her husband's works.

See her journal (ed. by F. L. Jones, 1947); her letters (ed. by M. Spark and D. Stamford, 1953); biographies by M. Spark (1951, repr. 1988), N. B. Gerson (1973), and M. Seymour (2001); C. Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley (2015); studies by W. A. Walling (1972), E. Sunstein (1989), and R. Montillo (2013).

The Columbia Encyclopedia, 6th ed. Copyright© 2017, The Columbia University Press.

Frankenstein: Selected full-text books and articles

Frankenstein: Or, the Modern Prometheus By Mary Wollstonecraft Shelley Collier Books, 1961
PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
The Cambridge Companion to Mary Shelley By Esther Schor Cambridge University Press, 2003
Librarian's tip: Includes discussion of Frankenstein in multiple chapters
CliffsNotes Shelley's Frankenstein By Jeff Coghill IDG Books Worldwide, 2000
Women's Vision in Western Literature: The Empathic Community By Laurence M. Porter Praeger, 2005
Librarian's tip: Chap. Four "Sympathy for the Devil: Mary Shelley's Frankenstein (1818)"
"It's Alive": Frankenstein's Monster and Modern Science By Pamintuan, Tina Humanities, Vol. 23, No. 5, September/October 2002
Victor Frankenstein's "Creation": Monster or Victim? By Timko, Michael The World and I, Vol. 32, No. 1, January 2017
Novelistic Sympathy in Mary Shelley's Frankenstein By Britton, Jeanne M Studies in Romanticism, Vol. 48, No. 1, Spring 2009
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Mediation's Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley's Frankenstein By Crimmins, Jonathan Studies in Romanticism, Vol. 52, No. 4, Winter 2013
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Testimony and Trope in Frankenstein By Guyer, Sara Studies in Romanticism, Vol. 45, No. 1, Spring 2006
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Composing What May Not Be "Sad Trash": A Reconsideration of Mary Shelley's Use of Paracelsus in Frankenstein By Peterfreund, Stuart Studies in Romanticism, Vol. 43, No. 1, Spring 2004
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Mediating Monstrosity: Media, Information, and Mary Shelley's Frankenstein By Burkett, Andrew Studies in Romanticism, Vol. 51, No. 4, Winter 2012
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
The Philosophy of Science Fiction Film By Steven M. Sanders University Press of Kentucky, 2008
Romanticism and the Human Sciences: Poetry, Population, and the Discourse of the Species By Maureen N. McLane Cambridge University Press, 2000
Librarian's tip: Chap. 3 "Literate Species: Populations, 'Humanities,' and the Specific Failure of Literature in Frankenstein"
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