African-American Literature

African-American poet Phillis Wheatley published her Poems on Various Subjects in 1773. She was a slave brought from Africa and while she was a child she was sold to a merchant. She spoke no English at that time, but by the time she was 16, she had managed to master the language with the help of her owners. Wheatley became famous after she wrote a poem on the death of a popular evangelical preacher in 1770. Three years later, 39 of her poems were published in London. Her work was well received by prominent figures of the time including George Washington, whom she praised in one of her poems.

Slavery narratives, which depicted personal experiences of slaves who had escaped slavery and run to the North, developed in the middle of the 19th century. Their common motifs included physical and psychological abuse of slavery, white owners' hypocrisy and the slaves' quest for freedom and education. The narratives gave the people who lived in the North a glimpse of the slaves relationships with each other, the bond and love between family members and respect of the elders.

Frederick Douglass, a fugitive slave, became the most prominent author of his time after he published The Narrative of the Life of Frederick Douglas, an American Slave, Written by Himself in 1845. His book was a success and sold more than 30,000 copies in the United States and Great Britain. It was translated into French, German and Dutch. Douglas later wrote a revised autobiography, My Bondage and My Freedom, in which he explained that his struggle for freedom did not end when he reached the "free states" of the North. After the end of slavery, African American writers continued to write about the condition of the black people in the country.

One of the most prominent writers of the time was Booker T. Washington, who in his autobiography, Up from Slavery, suggested that even the most disadvantaged black people could attain dignity in the South if they proved valuable.

The Harlem Renaissance (1920-1940), originally called the New Negro Movement, represented a literary and intellectual flowering, based in the African American community in Harlem, New York City. The years between World War I and the Great Depression were characterized by an economic boom which resulted in many jobs. Between 1920 and 1930, around 750,000 African Americans migrated from the South to the North, 175,000 of them to Harlem, which became the largest concentration of black people in the world.

Poets Countee Cullen and Langston Hughes, as well as novelists Rudolph Fisher and Zora Neale Hurston are the most famous authors of that time. The Harlem Renaissance represented a turning point in African American literature; it was no longer read mainly by black people, but started to be absorbed into the whole American culture.

The Civil Rights movement had a great impact on black writers during the 1940s, 1950s and 1960s. Just as black activists were trying to put an end to racism and segregation, so were black authors addressing these topics in their writing. Gwendolyn Brooks and Amiri Baraka were famous authors of the time.

Starting in 1970, African American literature was analyzed and accepted as a genre. In 1993, Toni Morrison became the first African American author to be awarded the Nobel Prize for Literature.

African-American Literature: Selected full-text books and articles

Contemporary African American Literature: The Living Canon
Lovalerie King; Shirley Moody-Turner.
Indiana University Press, 2013
Representing the Race: A New Political History of African American Literature
Gene Andrew Jarrett.
New York University Press, 2011
Icons of African American Literature: The Black Literary World
Yolanda Williams Page.
Greenwood, 2011
Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature
John K. Young.
University of Mississippi Press, 2006
The White Image in the Black Mind: A Study of African American Literature
Jane Davis.
Greenwood Press, 2000
The Afro-American Novel and Its Tradition
Bernard W. Bell.
University of Massachusetts Press, 1989
Language and Literature in the African American Imagination
Carol Aisha Blackshire-Belay.
Greenwood Press, 1992
Thriving on a Riff: Jazz and Blues Influences in African American Literature and Film
Graham Lock; David Murray.
Oxford University Press, 2009
Burnin' Down the House: Home in African American Literature
Valerie Sweeney Prince.
Columbia University Press, 2004
Scarring the Black Body: Race and Representation in African American Literature
Carol E. Henderson.
University of Missouri Press, 2002
Black American Poets and Dramatists of the Harlem Renaissance
Harold Bloom.
Chelsea House, 1995
Major Black American Writers through the Harlem Renaissance
Harold Bloom.
Chelsea House, 1995
Written by Herself: Literary Production by African American Women, 1746-1892
Frances Smith Foster.
Indiana University Press, 1993
Black American Poets and Dramatists: Before the Harlem Renaissance
Harold Bloom.
Chelsea House, 1994
Modern Black American Poets and Dramatists
Harold Bloom.
Chelsea House, 1995
Contemporary Black American Poets and Dramatists
Harold Bloom.
Chelsea House, 1995
Black American Women Poets and Dramatists
Harold Bloom.
Chelsea House, 1996
Contemporary African American Novelists: A Bio-Bibliographical Critical Sourcebook
Emmanuel S. Nelson.
Greenwood Press, 1999
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