Alfred Lord Tennyson

Tennyson, Alfred Tennyson, 1st Baron

Alfred Tennyson Tennyson, 1st Baron (tĕn´Ĭsən), 1809–92, English poet. The most famous poet of the Victorian age, he was a profound spokesman for the ideas and values of his times.

Early Life and Works

Tennyson was the son of an intelligent but unstable clergyman in Lincolnshire. His early literary attempts included a play, The Devil and the Lady, composed at 14, and poems written with his brothers Frederick and Charles but entitled Poems by Two Brothers (1827). In his three years at Cambridge, Tennyson wrote a prizewinning poem, Timbuctoo (1829), and Poems, Chiefly Lyrical (1830) and began his close friendship with Arthur Henry Hallam, son of the historian Henry Hallam.

Upon the death of his father in 1831, Tennyson became responsible for the family and its precarious finances. His volume Poems (1832) included some of his most famous pieces, such as "The Lotus-Eaters," "A Dream of Fair Women," and "The Lady of Shalott." In 1833 he was overwhelmed by the sudden death of Hallam.

Mature Works and Later Life

Tennyson's next published work, Poems (1842), expressed his philosophic doubts in a materialistic, increasingly scientific age and his longing for a sustaining faith. The new poems included "Locksley Hall," "Ulysses," "Morte d'Arthur," and "Break, Break, Break." With this book he was acclaimed a great poet, and in addition, he was granted an annual government pension of £200 in 1845.

The Princess (1847) was followed in 1850 by the masterful In Memoriam, an elegy sequence that records Tennyson's years of doubt and despair after Hallam's death and culminates in an affirmation of immortality. The same year saw his appointment as poet laureate and his marriage to Emily Sellwood, whom he had courted since 1836 but had been unable to marry because of his precarious financial position. Occasional poems, such as the "Ode on the Death of the Duke of Wellington" (1852) and "The Charge of the Light Brigade" (1855), were part of his duties as laureate.

The first group of Idylls of the King appeared in 1859; it was expanded in 1869 and 1872, and in 1885 Tennyson added the final poem. He arranged the 12 poems chronologically in 1888 to constitute a somber ethical epic of the glory and the downfall of King Arthur. In the Arthurian legend, Tennyson projected his vision of the hollowness of his own civilization. Included among his other works are Maud (1855), a "monodrama" ; Enoch Arden (1864); several poetic dramas, most notably Becket (1879; produced 1893); Ballads and Other Poems (1880); and Demeter and Other Poems (1889), which contained "Crossing the Bar."

Tennyson passed his last years in comfort. In 1883 he was created a peer and occupied a seat in the House of Lords. Throughout much of his life he was a popular as well as critical success and was venerated by the general public. Unappreciated early in the 20th cent., Tennyson has since been recognized as a great poet, notable for his mastery of technique, his superb use of sensuous language, and his profundity of thought.


See biographies by his son H. Tennyson (4 vol., 1897), his grandson C. Tennyson (1949, repr. 1968), H. L. Fausset (1923, repr. 1968), and P. Levi (1993); studies by J. H. Buckley (1960), C. Ricks (1972), and D. J. Palmer, ed. (1973).

The Columbia Encyclopedia, 6th ed. Copyright© 2015, The Columbia University Press.

Alfred Lord Tennyson: Selected full-text books and articles

Alfred Lord Tennyson: A Memoir By Hallam Tennyson Greenwood Press, 1969
Alfred Tennyson By Charles Tennyson MacMillan, 1949
FREE! Idylls of the King By Alfred Tennyson; Charles W. French Macmillan, 1917
FREE! The Princess By Alfred Tennyson Charles E. Merrill, 1897
FREE! Demeter and Other Poems By Alfred Tennyson MacMillan, 1889
FREE! The Foresters: Robin Hood and Maid Marian By Alfred Lord Tennyson MacMillan, 1892
A Tennyson Handbook By George O. Marshall Jr Twayne Publishers, 1963
Tennyson By Hughes, Linda K Victorian Poetry, Vol. 41, No. 3, Fall 2003
Tennyson in America: His Reputation and Influence from 1827 to 1858 By John Olin Eidson The University of Georgia Press, 1943
Finding the Modern Frames in Tennyson's Final Classical Poems By Markley, A. A Philological Quarterly, Vol. 78, No. 4, Fall 1999
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
FREE! Classical Echoes in Tennyson By Wilfred P. Mustard The Macmillan Company, 1904
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