Felicia Hemans

Hemans, Felicia Dorothea (Browne)

Felicia Dorothea (Browne) Hemans (hĕm´ənz), 1793–1835, English poet. She married Capt. Alfred Hemans in 1812, had five children, and separated from him in 1818. Although she wrote much mild and sentimental poetry, today she is known only for "Casabianca," which has the famous first line, "The boy stood on the burning deck … ," "The Landing of the Pilgrim Fathers," and "England's Dead."

The Columbia Encyclopedia, 6th ed. Copyright© 2018, The Columbia University Press.

Felicia Hemans: Selected full-text books and articles

Felicia Hemans: Selected Poems, Letters, Reception Materials By Felicia Hemans; Susan J. Wolfson Princeton University Press, 2000
PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
Hemans' Passion By Rudy, Jason R Studies in Romanticism, Vol. 45, No. 4, Winter 2006
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Shakespeare's Ghost and Felicia Hemans's the Vespers of Palermo: Nineteenth-Century Readings of the Page and Feminist Meanings for the Stage By Purinton, Marjean D Intertexts, Vol. 8, No. 2, Fall 2004
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
England and Spain and the Domestic Affections: Felicia Hemans and the Politics of Literature By Sanchez, Juan Studies in Romanticism, Vol. 53, No. 3, Fall 2014
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
"Nothing beside Remains": Empty Icons and Elegiac Ekphrasis in Felicia Hemans By Elliott, Brian P Studies in Romanticism, Vol. 51, No. 1, Spring 2012
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
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