Baroque Music

baroque (in music)

baroque, in music, a style that prevailed from the last decades of the 16th cent. to the first decades of the 18th cent. Its beginnings were in the late 16th-century revolt against polyphony that gave rise to the accompanied recitative and to opera. With opera and recitative came the figured bass, used consistently in ensemble music throughout the baroque era. Renaissance polyphony persisted, however, being called the stile antico and considered more appropriate to the church than the nuove musiche. The baroque period was thus one of stylistic duality; it was an era that displayed emotional extremes (see romanticism). By the end of the era major and minor tonality had replaced the church modes. Contrapuntal writing was resumed in the middle baroque period, but it now had a harmonic basis. Idiomatic writing, taking account of the individual character and capacities of instruments and voices, was characteristic of baroque music. Originating in Italy, opera, oratorio, and cantata were the principal vocal forms. In instrumental music the sonata, concerto, and overture were creations of the baroque. In France and Italy the baroque had by 1725 been overshadowed by its outgrowth, the rococo, and it remained for Germany, where the baroque saw the flowering of Protestant church music, to bring the era to culmination in the works of J. S. Bach. The fugue, chorale prelude, and toccata were important forms of the late baroque.

See C. V. Palisca, Baroque Music (1968); R. Donington, A Performer's Guide to Baroque Music (1974); E. Rosand, Baroque Music (2 vol., 1986); H. Gleason and W. Becker, Music in the Baroque (3d ed. 1988).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Baroque Music : Selected full-text books and articles

A History of Western Music
Donald Jay Grout; Claude V. Palisca.
W. W. Norton, 2001 (6th edition)
Librarian’s tip: Chap. 9 "Music of the Early Baroque Period" and Chap. 11 "Instrumental Music in the Late Baroque Period"
Polymath of the Baroque: Agostino Steffani and His Music
Colin Timms.
Oxford University Press, 2003
Musica Poetica: Musical-Rhetorical Figures in German Baroque Music
Dietrich Bartel.
University of Nebraska Press, 1997
Reel, James.
Strings, Vol. 24, No. 1, August 2009
Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque
Joyce L. Irwin.
Peter Lang, 1993
Antonio Vivaldi: The Red Priest of Venice
Karl Heller; David Marinelli.
Amadeus Press, 1997
The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Music Style
W. Dean Sutcliffe.
Cambridge University Press, 2003
Henry Purcell
Peter Holman.
Oxford University Press, 1994
The Baroque Clarinet
Albert R. Rice.
Clarendon Press, 1992
Poetry and Song in the German Baroque: A Study of the Continuo Lied
R. Hinton Thomas.
Clarendon Press, 1963
Inside Early Music: Conversations with Performers
Bernard D. Sherman.
Oxford University Press, 1997
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