Glenn Gould

Glenn Gould, 1932–82, Canadian pianist and composer. A prodigy, he began study at the Royal Conservatory of Music in Toronto at 12. He was piano soloist with the Toronto Symphony at 14, and by the time he was 19 he was making concert tours in Canada, soon becoming known for idiosyncratic performance behavior. A great pianist, Gould was particularly noted for his interpretations of Bach and the romantics. As a composer, Gould was influenced by the postromantic music of the late 19th cent. His first published composition, a string quartet, had its premiere on television in 1956. During the 1960s Gould reduced his concert appearances to a minimum, preferring thereafter to concentrate on recording.

See biographies by O. Friedrich (1989) and P. F. Ostwald (1997); study by G. Leroux (2010).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Glenn Gould: Selected full-text books and articles

Glenn Gould: The Performer in the Work: A Study in Performance Practice
Kevin Bazzana.
Oxford University Press, 1997
The Gould Standard
Vittes, Laurence.
Strings, Vol. 24, No. 9, April 2010
Pure Gould
Clinch, Dermot.
New Statesman (1996), Vol. 128, No. 4467, December 20, 1999
The Last Puritan: Henry Sheen on Why Glenn Gould Still Haunts Other Pianists 20 Years after His Death. (Classical Music)
Sheen, Henry.
New Statesman (1996), Vol. 131, No. 4614, November 18, 2002
Glenn Gould, Conductor: Critical Reception, Chronicle, and Commentary
Maloney, S. Timothy.
Intersections, Vol. 31, No. 2, July 1, 2011
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Locating the Artist in Thirty Two Short Films about Glenn Gould
Varga, Darrell.
Canadian Journal of Film Studies, Vol. 12, No. 2, Fall 2003
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Northern Ways to Think about Music: Glenn Gould's Idea of North as an Aesthetic Category
Mantere, Markus.
Intersections, Vol. 25, No. 1/2, January 1, 2005
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Virtual Realism
Michael Heim.
Oxford University Press, 1998
Librarian’s tip: "The Isolation of Glenn Gould" begins on p. 78
Building on Bion: Branches: Contemporary Developments and Applications of Bion's Contributions to Theory and Practice
Robert M. Lipgar; Malcolm Pines.
Jessica Kingsley, 2003
Librarian’s tip: Chap. 9 "'So you Want to Write a Fugue?' Wilfred R. Bion with Glenn Gould"
Visualizing "The Sound of Genius": Glenn Gould and the Culture of Celebrity in the 1950s
Carr, Graham.
Journal of Canadian Studies, Vol. 40, No. 3, Fall 2006
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Constructions of Identity in the Life Stories of Emma Albani and Glenn Gould
Elliott, Robin.
Journal of Canadian Studies, Vol. 39, No. 2, Spring 2005
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Bach's Goldberg Variations Demystified
Hall, Cory.
American Music Teacher, Vol. 54, No. 5, April-May 2005
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
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