Laurie Anderson

Laurie Anderson, 1947–, American performance artist, b. Chicago. Originally a sculptor, she was influenced by Philip Glass and other avant-garde composers in the early 1970s and soon turned to the creation of multimedia performance art. Anderson is best known for quirky, witty, and elaborate events that typically combine such elements as electronic and instrumental music, song, theater, film, and video projections; they include United States I–IV of the 1980s and Nerve Bible (1992). In 1982 she scored a pop music hit with "O Superman," and has since made a number of albums, e.g., Big Science (1984), Strange Angels (1989), Bright Red (1994). She has also made video and film pieces, composed orchestral works and soundtracks, created and performed monologues, and written books. Her first CD-ROM, The Ugly One with the Jewels, was released in 1994.

See study by R. Goldberg (2000).

The Columbia Encyclopedia, 6th ed. Copyright© 2018, The Columbia University Press.

Laurie Anderson: Selected full-text books and articles

Laurie Anderson By Roselee Goldberg Abrams Books, 2000
Art, Performance, Media: 31 Interviews By Nicholas Zurbrugg University of Minnesota Press, 2004
Librarian's tip: "Laurie Anderson" begins on p. 25
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
The Parameters of Postmodernism By Nicholas Zurbrugg Southern Illinois University Press, 1993
Librarian's tip: "Beyond the Disappearance of Value: Anderson and Acker" on pg. 144 and "Anderson and American Active Freedom" begins on p. 155
American Artists on Art from 1940 to 1980 By Ellen H. Johnson Westview Press, 1982
Librarian's tip: Interview with Laurie Anderson begins on p. 240
A Formalist Theatre By Michael Kirby University of Pennsylvania Press, 1987
Librarian's tip: Discussion of Laurie Anderson begins on p. 102
Media Culture: Cultural Studies, Identity, and Politics between the Modern and the Postmodern By Douglas Kellner Routledge, 1995
Librarian's tip: "Madonna and Laurie" begins on p. 287
Looking for a topic idea? Use Questia's Topic Generator
Search by... Author
Show... All Results Primary Sources Peer-reviewed


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.