Country Music

country and western music

country and western music, American popular music form originating in the Southeast (country music) and the Southwest and West (western music). The two regional styles coalesced in the 1920s when recorded material became available in rural areas, and they were further consolidated after musicians from various sections met and mixed during service in World War II. The primary traditional difference between the two styles is that country music is simpler and uses fewer instruments, relying on guitar, fiddle, banjo, and harmonica, whereas the music of the Southwest tends toward steel guitars and big bands whose style verges on swing (e.g., The Light Crust Doughboys). Bluegrass, exemplified by Bill Monroe, is a style of country and western music traditionally distinguished by a driving, syncopated rhythm, high-pitched vocals, and an emphasis on the banjo, mandolin, and fiddle. Progress bluegrass will also use electrified and other nontraditional instruments and employ styles and songs derived from other forms of music.

Country and western music is directly descended from the folk songs, ballads, and popular songs of the English, Scottish, and Irish settlers of the U.S. southeastern seaboard. Its modern lyrics depict the emotions and experience of rural and (currently) urban poor whites; they often tell frankly of illicit love, crime, and prison life. Over the last 50 years country and western music has gained a nationwide audience. Since 1925 the "Grand Ole Opry," a Saturday night performance featuring country and western singers, has been broadcast weekly from Nashville, Tenn.

Many of the musicians have been influenced by African-American blues (see jazz) and gospel music, but the performers and audience are almost all white. Leading performers include Jimmy Rodgers, the Carter Family, Hank Williams and his son, Tex Ritter, Chet Atkins, Patsy Cline, Johnny Cash, June Carter-Cash, Merle Haggard, Waylon Jennings, George Jones, Loretta Lynn, Tammy Wynette, Charley Pride, Charlie Rich, Dolly Parton, and Willie Nelson. In the 1960s and 70s, country and western music significantly influenced the development of rock music. Since then, it has undergone a national revival with performers such as Ricky Scaggs, Garth Brooks, the Judds, Tanya Tucker, and Reba McEntire achieving great popularity.

See B. C. Malone, Country Music USA (1968); P. Hemphill, The Nashville Sound (1971); C. Brown, Music USA: America's Country and Western Music (1985); K. Sparkman, A People and Their Music (2000); D. Jannings, Sing Me Back Home: Love, Death, and Country Music (2008).

The Columbia Encyclopedia, 6th ed. Copyright© 2017, The Columbia University Press.

Country Music: Selected full-text books and articles

All That Glitters: Country Music in America By George H. Lewis Bowling Green State University Popular Press, 1993
Country Soul: Making Music and Making Race in the American South By Charles L. Hughes University of North Carolina Press, 2015
Country Music Changed My Life: Tales of Tough Times and Triumph from Country's Legends By Ken Burke A Cappella, 2004
PRIMARY SOURCE
A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
A Boy Named Sue: Gender and Country Music By Kristine M. McCusker; Diane Pecknold University Press of Mississippi, 2004
Linthead Stomp: The Creation of Country Music in the Piedmont South By Patrick Huber University of North Carolina Press, 2008
Rednecks, Queers, and Country Music By Nadine Hubbs University of California Press, 2014
Dolly Parton, Gender, and Country Music By Leigh H. Edwards Indiana University Press, 2018
Hillbilly Music Re-Imagined: Folk and Country Music in the Midwest By Tyler, Paul L Journal of American Folklore, Vol. 127, No. 504, Spring 2014
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Young Revivalists: A String Band Reclaims Country Music By Teska, William J Sojourners Magazine, Vol. 35, No. 1, January 2006
The Quest for Country Music By Neal, Jocelyn R Phi Kappa Phi Forum, Vol. 86, No. 4, Fall 2006
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