Canadian University Music Review

Articles from Vol. 12, No. 1, 1992

Brahms and His World
WALTER FRISCH, ed. Brahms and His World. Princeton: Princeton University Press, 1990.223pp. ISBNO-691-09139-0(cloth), ISBN 0-691-02713-7 (paper).The malaise, which might be termed schizophrenia, that currently characterizes both musicology in general...
Healey Willan's Inscribed Copy of John Coulter's Deirdre of the Sorrows*
The recent discovery of a small item of Canadiana is interesting not only for its musical importance but also for the human touch it reveals in one of the great composers of our musical past. The item in question is a copy of John Coulter's libretto...
Music, Gender, and Culture
MARCIA HERNDON and SUSANNE ZIEGLER, eds. Music, Gender, and Culture. International Council for Traditional Music, ICTM Study Group on Music and Gender, Wilhelmshaven: Florian Noetzel Verlag, 1990. 307 pp. including bibliography, index, and list of contributors....
Post-Positivistic Educational Thought: Implications for Naturalistic Research Methods in School Music*
A decade has passed since Eisner (1981; 1982) introduced the notion that an understanding of educational problems in the Fine Arts might be adversely affected by an overly-zealous adherence by researchers to the assumptions and techniques of natural...
Subjectivity, Objectivity and Authenticity in Nineteenth-Century Bach Interpretation
By the end of the Romantic Era there coexisted at least three discrete schools of Bach interpretation, each with a different notion concerning the sanctity of Bach's text: one school made frequent, extensive alterations to the Urtext; another blindly...
The First Movement of Beethoven's Opus 109: Compositional Genesis and Structural Dialectic*
Beethoven's Piano Sonata in E Major, Opus 109, has recently received intense scholarly attention, William Meredith and Nicholas Marston, both authors of Ph.D. dissertations on the sources for Opus 109 (Meredith 1985a; Marston 1986a), have published diverging...
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