MEIEA Journal

Articles from Vol. 14, No. 1, 2014

Artist in Control: Success in the New Music Business
Daniel Frankel and Gideon Frankel, editors; Interviews by Kara Pound. Artist in Control: Success in the New Music Business. Artist in Control, 2013. artistincontrol@gmail.com.Hearing from professionals and entrepreneurs working on the front lines of...
A Survey of Graduated Response Programs to Combat Online Piracy
A significant portion of this article comes from the following source: Elton, Serona. "Graduated responses to online piracy: Approaches taken in the United States and around the world. " In Music and Law (Sociology of Crime, Law and Deviance, Volume...
Authors Influencing Others to Follow: An Analysis of a Social Media Platform through the Framework of Persuasion Theory
IntroductionAccording to the Global Entertainment and Media Outlook: 20142018 (PwC 2014) global consumer books revenue grew in 2013 after years of decline, as the increase in ebook revenue surpassed the decreasing print revenue. This type of tipping...
Beyond Jamming: A Historical and Analytical Perspective on the Creative Process
IntroductionThe goal of this project is to document the creative process of a jazz group often referred to as "jamming" from a historical, social, and musical perspective, and offer strategies for transfer of the findings to any group setting. While...
Concert Promotion Centralization and the Artist Management Response: 1990s-2010s
IntroductionBeginning in the mid-1990s the concert promotion industry underwent significant changes, disrupting the thirty-five year business model of individual, regional concert promoters in favor of centralized, national control-first by SFX, then...
Developing Information Literacy Skills for Tomorrow's Music Industry Leaders
IntroductionWe live in an age in which the amount of information available to students, educators, business persons, and the general public is at an all-time high as more and more information is made available in various forms on a daily basis. In 2012...
Economy of the Ether: Early Radio History and the Commodification of Music
IntroductionHistory offers many examples of events that are unduly neglected because they do not memorialize an individual of charismatic personality, have timelines with a quantifiable beginning and end, or possess some other narrative device for easily...
From the Editor
Notice to ContributorsThe Journal of the Music & Entertainment Industry Educators Association is a peerreviewed journal devoted to all aspects of the music and entertainment industry and music/ entertainment industry education. All feature articles...
Get Classy: Comparing the Massive Marketing of Anchorman 2 to the Non-Marketing of Beyoncé's Beyoncé Album
IntroductionWhen Beyoncé released a new album to an unsuspecting public on December 13, 2013 she was widely praised for the lack of marketing that accompanied the record. Out of the blue, it was there, available worldwide on iTunes. Singles, the most...
Music Biz 101 & More
Stephen Marcone and David Philp. Music Biz 101 & More (Broadcast, Streaming, and Podcast). Wayne, New Jersey: William Paterson University, musicbizl01wp.com or wpsc.wpunj.edu or bit.ly/lmSfqPc.At a time when there are thousands of free online courses,...
Music Inc./Popscene
UK Music, The Intellectual Property Office, and Aardman Animations. Music Inc. (App). 2014. Available for iOS and Android.MDickie. Popscene (App). 2014. Available for iOS and Android.Here are two new apps that teach you how to manage a career. Music...
Music Publishing: The Complete Guide
Steve Winogradsky. Music Publishing: The Complete Guide. Van Nuys, California: Alfred Music, 2013. www.alfred.com.Steve Winogradsky's Music Publishing: The Complete Guide is an exciting new volume on music publishing. This well-organized book lives up...
Rigor, Grades, Support, and the Amount of Time Students Spend outside of Class: A Comparison of Full- and Part-Time Faculty in an Entertainment and Music Business Program
IntroductionWhile there are few reliable data on exact proportions of full-time and part-time faculty in entertainment and music business programs, MEIEA (Music and Entertainment Industry Educators Association) institutional data suggest entertainment...
Songs as Branding Platforms? A Historical Analysis of People, Places, and Products in Pop Music Lyrics
IntroductionIn 2012, Yankee Stadium was an appropriate venue for famed New York baseball legend Derek Jeter to speak to a group of beauty editors about the re-launch of his cologne line, Driven Black.1 During the event, Jeter admitted that in his younger...
Talent Is Never Enough: Discover the Choices That Will Take You beyond Your Talent
John C. Maxwell. Talent is Never Enough: Discover the Choices that Will Take You Beyond Your Talent Nashville: Thomas Nelson, 2007. www.thomasnelson.com.Thousands of talented entertainment and industry students enter universities every year with the...
The Event Safety Guide: A Guide to Health, Safety and Welfare at Live Entertainment Events in the United States
The Event Safety Alliance, Donald C. Cooper, Editor. The Event Safety Guide: A Guide to Health, Safety and Welfare at Live Entertainment Events in the United States. New York: Skyhorse Publishing, 2014. www.skyhorsepublishing.com.Everyone agrees there...
The Protection and Licensing of Music Rights in Sub-Saharan Africa: Challenges and Opportunities1
IntroductionAfrica is a huge continent teeming with people-a vast sea of over one billion souls. Sub-Saharan Africa, which this research focuses on, boasts the majority of this population.2 All things being equal the region should have one of the biggest...
What Difference Does It Make: A Film about Making Music
Ralf Schmerberg, Director; Many Ameri, Ralf Schmerberg, and Torsten Schmidt, Executive Producers; Easton West and Ralf Schmerberg Writers. What Difference Does It Make: A Film About Making Music (Video). Mindpirates Productions, 2014. www.rbmal5.com.Over...
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