"Whether you're part of the "Here comes Santa Claus" crowd or you lean more toward "Bah, humbug," 'tis the season to head to the multiplex .for those A-list movies we adore. Gay content is slim this year, but The Advocate has combed the holiday blockbusters and indies for queer sensibility, behind-the-scenes talents--and our favorite eye candy.
In Big Fish--the latest movie from out producers Bruce Cohen and Dan Jinks---Ewan McGregor stars as Edward Bloom, a charming young man who exists in a fantasy tinged world where he can befriend any animal tame giants, tell great jokes, woo the woman he loves away from her fiance, and generally glide from success to success. Cohen and Jinks are enjoying Careers almost as charmed as Bloom's life. Their first credit as producers was the Oscar-winning blockbuster American Beauty.
"I think we all knew it was a once in-a-life-time experience," says Cohen of that Cinderella-story triumph. "We "all knew this doesn't happen all the time." Now they're following this summer's Rock Hudson-Doris Day send-up Down With Love (which might very" well snag Oscar nominations for its clever production design and costumes) with another Oscar hopeful, Big Fish--perhaps director Tim Burton's most imaginatively sweeping movie since Edward Scissorhands--which opens Christmas Day in limited release before going nationwide in January.
It's a bit of magic realism dipped in American, thanks to a cult novel by Daniel Wallace that was adapted by gay screenwriter John August ((Go). The film also stars Albert Finney playing Bloom as an old man, Jessica Lange as his wife, and Billy Crudup as his son.
For Cohen and Jinks, working with talented people on small, adventurous projects has been a career hallmark from the very beginning. Jinks began in New York theater--his first job after graduating from New York University was on an early workshop of the musical Jelly's Last Jam. Cohen was mentored by, among others, Steven Spielberg: His first internship was on the legendary TV show Hill Street Blues; his second The Color purple.
Cohen, a Yale graduate, is a longtime political activist, so it was fitting that the two friends would serve on the steering committee for Out There, a Hollywood group focused on gay and lesbian issues that Cohen helped form with top Disney executive Nina Jacobson.
August has known the two for a few year--well enough to entrust Big Fish to their care. "I was in a weird situation in that. I had a project at a studio [Columbia Pictures] that didn't have producers," recalls August. "I had one shot to get producers. I felt I could trust them and that they had good taste. With American Beauty, they had just made a very difficult comedy-drama for a major studio. And that's what Big Fish was going to be, even though the scale of Big Fish was a lot different."
Jinks has been out since his days in the theater (where, he notes laughingly, everyone was gay), though appearing in Out magazine for a story on Out There was still a big step. Cohen began to come out professionally when Spielberg offered him a job on The Flintstones in 1992, and Cohen felt he needed to make clear who he was before accepting it. "He was completely wonderful and said, 'Why would you think I'd care?'" says Cohen. They dismiss the idea of a "gay mafia" but agree there is an advantage to being queer in Tinseltown.
"I do find that gay people are always very open and accepting of meeting other gay people," says Jinks. "We will go to parties where there will be heads of studios and top writers and top directors mid top producers who are gay, and they'll be mixing with somebody who is an assistant or just out of college or a creative executive. The [straight] heads of studios won't mix with the assistants in the stone way."
Just finding gay people while filming Big Fish in Alabama was a challenge, although happily, Cohen notes, the gay people found them. …