Magazine article Artforum International

Hotlist

Magazine article Artforum International

Hotlist

Article excerpt

Brooklyn-based new-media artist John Klima explores connections between the virtual and the real through his interactive digital art. His browser Ear h was included in the 2002 Whitney Biennial, and his recent work, Context Breeder, can be viewed at www.rhizome.org

We are still very much in a "Nickelodeon" stage of computing, searching for ways to expand our infant technology. The sites below contain Java applets--small pieces of powerful software that extend the capabilities of a Web browser far beyond static text and image--that demonstrate behavioral algorithms of the sort typically employed in the computer gaming industry to create increasingly wily adversaries. None of them is an animation in the classic sense of the flip book. Rather, the animator creates a set and "actors," establishes parameters for their behavior, and determines the physics of their little universe. The graphics are all generated based on rules that produce an infinite number of outcomes. These devices have been employed to great effect in computer games like The Sims and in Hollywood blockbusters like Jurassic Park and Titanic, but they're also increasingly subjected to serious aesthetic investigation by digital artists like Mark Napier, Golan Levin, John Simon Jr., and me. My guess is that ar tists of the future will look to these as examples of the "new art"--however that ultimately manifests itself.

Steering Behaviors for Autonomous Characters

www.red3d.com/cwr/steer

My studio is in Williamsburg, Brooklyn, and I frequently transfer from the F to the J train at Delancey Street. The queuing-behavior model developed by Craig Reynolds at this site perfectly reflects the mad dash as the subway doors open and a flood of commuters race into the narrow connecting passage. Reynolds has compiled a collection of autonomous steering behaviors as well as links to additional websites devoted to behavioral artificial intelligence. Rather than use representations of humans, Reynolds creates "characters" of mathematical significance, comprised of visual elements--sticks and balls and swinging things--that indicate the inner workings of the code.

Computer Visualization of the Marine Environment

www. …

Search by... Author
Show... All Results Primary Sources Peer-reviewed

Oops!

An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.