Magazine article Sunset

Hollywood's Brightest Star

Magazine article Sunset

Hollywood's Brightest Star

Article excerpt

A fabled classic made new, the Griffith Observatory is this year's must-see

LOOMING HIGH ABOVE Los Angeles, the Griffith Observatory looks to some like a classical temple, to others like the mysterious compound of a mad genius in a vintage science-fiction movie.

The newly renovated observatory's three copper-clad domes top a building of exquisite grace that rises from the Hollywood Hills. The central dome is home to a planetarium; inside the two smaller domes are the observatory's public telescopes. There are larger and more advanced instruments, even within Southern California. But a telescope's significance can't always be measured by its reach into space so much as its reach here on Earth: More people, some 7 million in all, have looked into the heavens through Griffith's Zeiss refracting telescope than any other on the planet.

Few institutions can literally reveal new worlds to its visitors like the Griffith Observatory. And it is the rare observatory that becomes a cultural icon. As a movie and television location, it has come to symbolize Los Angeles. Its greatest prominence came in the 1955 film classic Rebel Without A Cause. Plenty of astronomical facilities may honor Galileo, but only Griffith Observatory has a monument-in the shadow of the Hollywood sign-that honors a star of a vastly different firmament, James Dean.

After a five-year-long, $93 million restoration and expansion, the observatory's being unveiled, and the public again has access to this window on the galaxy. So the question, in show business terms, is this: Are we talking blockbuster?

Now playing: the universe

"We have a story to tell and it's a story on a monumental scale," says observatory director Edwin C. Krupp. It's the rare sequel that transcends the original. But in the case of the Griffith Observatory, when you're all about the big picture in the land of Cinerama, it helps to have one of your own. The new observatory holds a 3,040-square-foot porcelain enamel wall that captures a sliver of space encompassing 1.7 million visible objects-galaxies, stars, asteroids. Compiled from actual observational data, it's the largest astronomical image ever created, and called, simply enough, the Big Picture.

It dominates a gallery in the observatory's addition, which was constructed underground to match the original building's appearance. Within the gallery hang planetary models scaled to the circular, 200-seat Leonard Nimoy Event Horizon theater, which represents the sun. Earth is basketball-size, while Pluto-still clinging to its place in the solar system, at least here-has the diameter of a table-tennis ball.

As for the new Samuel Oschin Planetarium, Krupp describes it as "the most accurate, the most awe-inspiring, and the most gorgeous in the world." Its star projector is only the observatory's third and represents a technical leap of 40 years. Nor is it the only advance: With their wooden headrests, the old planetarium chairs had once been described as "the most uncomfortable seats in the Milky Way galaxy." They have given way to plush, padded seats that recline.

Guiding a group around the building before its opening, Krupp wears a loud, positively cosmic necktie that portrays the solar system. He's served as director since 1974. Someone remarks to him that he must be eager to at last reopen the observatory.

"No, no!" he quickly replies. "I want more time."

His response hints both at the opportunities and pressures that come with bringing this 1935-vintage building into the new millennium while preserving a beloved landmark that Krupp has described as "the hood ornament of Los Angeles. …

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