Magazine article Strings

Music without Borders: Don't Fence Him In

Magazine article Strings

Music without Borders: Don't Fence Him In

Article excerpt

The sky's the limit for electro-jazz cellist/ composer Dana Leong

CATCH CELLIST DANA LEONG IN CONCERT, or check out his YouTube videos, and you won't hear Romantic concertos or Bach suites. Instead, you'll find a musician in full hip-bop regalia with a cello, trombone, and laptop computer, surrounded by rappers, drummers, electronic keyboardists, and even dancers.

For Leong, who wholeheartedly embraces influences from urban, pop, rock, classical, hip-hop, rap, and jazz, there are no creative limits.

Tm interested in music witb a true original sound," he says.

Building on a background in classical cello, the 29-year-old self-described "electro-jazz cellist/composer" melds a range of styles and electronically generated sounds into his own works. Besides regularly teaching at jazz clinics and workshops around the country and running his own production studio, the Manhattan-based Leong has performed on three continents with others and with his own band, Milk & Jade by Dana Leong.

When onstage, Leong switches between cello and trombone, often while playing the same piece. He connects his instruments to a ThinkPad laptop, which he uses to bring onto the stage special effects usually kept in a recording studio. With electronics, he says, "you can elevate the excitement level of the music, give it an extra boost at the right moment, and put it into overdrive; you can sparkle up high or rumble the ground or punch out front and get the point across."

Growing up outside of San Francisco, Leong as a child first took up violin and then cello, and finally, in the fourth grade, the trombone. His mother, a piano teacher, started him on multiple instruments, he says, in part to keep him out of afterschool mischief. The serious crisscrossing didn't start, however, until college at the Manhattan School of Music. "I decided to use all the skills I'd learned in classical and jazz and switch them around, so I studied more classical stuff on trombone and learned different styles on cello, learned different ways to pluck, how to support a band in a bass role," Leong says. …

Search by... Author
Show... All Results Primary Sources Peer-reviewed


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.