Magazine article Sojourners Magazine

Were You There?

Magazine article Sojourners Magazine

Were You There?

Article excerpt

WERE YOU THERE?

The Cross and the Lynching Tree, by James H. Cone. Orbis.

JAMES CONE'S The Cross and The Lynching Tree argues a devastating point: American Christians grasp the horror and hope of the crucifixion only by looking at the Lynching tree. The author anchors the cross within history, insisting that readers remember its inhumane absurdity. Cone alludes to this work when he contends, "to forget this atrocity leaves us with a fraudulent perspective of this society and of the meaning of the Christian gospel for this nation." The Cross protests disembodied reflections by American theologians on sin and inordinately European treatments of theodicy. This protest is both invitation and indictment - an invitation to grapple with God's goodness in light of America's social sin; an indictment upon those who gasp at the Inquisition and the Crusades while glossing over the horrors of lynching. Ida B. Wells, the famous anti-lynching activist, punctuates the latter point: "Our American Christians are too busy saving the souls of white Christians from burning in hellfire to save the lives of black ones from present burning in fixes kindled by white Christians."

Cone strengthens his crucifixion-lynching analogy by composing a nuanced allusion. He cites Acts 10:39 - "they hung him on a tree" - to establish a visual connection between Jesus' crucified body and the battered flesh of lynching victims. Although he does not mention it, Deuteronomy 21:23, which is interpolated into Galatians 3:13, merits mentioning: "Cursed is everyone who hangs on a tree." Next, Cone deepens the biblical allusion by expounding upon the song "Strange Fruit." Consider the song's haunting lyrics:

Southern trees bear strange fruit

Blood on the leaves and blood at the root

Black bodies swinging in the breeze

Strange fruit hanging from the poplar trees.

Abel Meeropol wrote the song, but Billie Holiday popularized it with her flawless and emotionally resonant delivery. Contrary to general misunderstandings, Cone patiently explains that both black male and female bodies constituted the "strange fruit" swinging in the breeze from Southern trees. Cone's point is as much existential as it is theological: We gain an experiential understanding of the sweetness of Christ's salvation by first encountering him as the strange - and bitter- fruit of American racism. …

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