Magazine article American Cinematographer

Doc Martin: Gets Super 16 Treatment

Magazine article American Cinematographer

Doc Martin: Gets Super 16 Treatment

Article excerpt

The popular UK television dramedy Doc Martin is back for its sixth season. The show follows a doctor, played by Martin Clunes, who after developing a crippling fear of blood, retrains as a GP. He moves to a quirky seaside town, where he opens a practice and quickly offends the locals with his poor bedside manner.

Doc Martin is filmed on location in the village of Port Isaac in Cornwall, England, where "apparently the sun always shines," jokes the show's director of photography Simon Archer, BSC. The cinematographer, who took over for Chris Howard, BSC after season 3, uses a full range of 16mm stocks on the series.

"KODAK VISION3 [50D Color Negative Film] 7203 can claim much of the credit for rendering often-inclement British weather conditions in such a way that the audience still believes it's perpetually bright and sunny here," says Archer.

Archer employs KODAK VISION3 250D Color Negative Film 7207 for daylight location interiors, and KODAK VISION3 200T Color Negative Film 7213 is the default studio stock.

"[KODAK VISION3 500T Color Negative Film] 7219 often saves the day when we are chasing the light," notes Archer. "It is usually my choice for night exteriors."

This season's camera package includes ARRIFLEX 416s mounted with a variety of ZEISS lenses, including Primes for STEADICAM and lowlight situations.

Archer has maintained the much-admired visual history established on the show by Howard, while also investing in his own preferences, working alongside directors Nigel Cole and Paul Seed this season, and Ben Bolt along with various guest directors during previous seasons.

"Anyone familiar with Cornish architecture will know how tiny the domestic spaces are, and how low the ceilings tend to be," says Archer, citing this as one of the main challenges for the show's production. "Our studio sets also reflect this tiny scale, so placing cameras and lights, and working with the art department to move furniture and props as a scene is filmed from different angles requires enormous reservoirs of Zen patience and calm headspace. …

Search by... Author
Show... All Results Primary Sources Peer-reviewed


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.