Magazine article Screen International

BFI Introduces Diversity Measures

Magazine article Screen International

BFI Introduces Diversity Measures

Article excerpt

BFI-backed productions must comply with new 'three ticks' rule from September.

UK film productions that receive money from the BFI Film Fund must adhere to new diversity quotas from September, the BFI has announced today.

The BFI's new three ticks assessment - designed to improve diversity of ethnicity, disability, gender, sexual orientation and socio-economic background in the industry - requires applicants to demonstrate commitment across three areas of their production: on screen diversity, off-screen diversity and employment opportunities.

At least one 'tick' will be needed in two of the three areas for a project to be eligible for funding (full criteria and guidelines below).

Projects will be independently assessed by the BFI's Certification Unit with qualifying films receiving a BFI diversity logo.

To incentivise good practice, each year one qualifying producer will be given a Lottery award to fund a diversity opportunity or work placement within their company for 12 months.

The BFI is also recruiting a diversity expert to support the implementation of the new guidelines and provide guidance to BFI-backed productions.

The approach, which is backed by UK producers' association Pact and recruitment and training charity Creative Access, will be adapted and rolled out across all BFI Lottery funding for film by July 2015.

BFI Film Fund director Ben Roberts will introduce the measure today to a number of creative industries executives at a roundtable on diversity hosted by Creative Industries Minister Ed Vaizey.

Roberts commented: "The 'three ticks' approach incentivises good practice and helps to embed diversity across every area of a film's production, whilst being flexible enough to allow productions to make positive choices. Ideally we want to see the industry embracing the three ticks approach to ensure that the most talented are able to progress and succeed, whatever their background."

Vaizey said: "This initiative from the BFI should help raise the bar and ensure BFI lottery funded film productions reflect diversity both in front and behind the camera.

"I want to continue to see the TV, film and the performing arts industries actively discussing how they can drive change and improve diversity right across these sectors. I hope others will follow the BFI in developing and implementing possible solutions."

Examples of recent Film Fund films that would get a tick for diversity of subject matter include Belle, Pride, Suffragette, The Selfish Giant, Philomena, Catch Me Daddy and Calvary.

The guidelines state that examples of people from 'socially disadvantaged' backgrounds can include "individuals who or whose parents and family live below the national averagewage; or whose parents were not university educated, or who were given free school meals".

THE [radical][radical][radical] CRITERIASECTION A: ON SCREEN DIVERSITYA1 DIVERSE SUBJECT MATTER

Films where the narrative reflects diversity through the story and its characters. For example, where a film's subject matter explicitly and predominantly explores issues of identity relating to ethnicity or national origins, a specific focus on women, people with disabilities, sexual identity, age and people from a socially disadvantaged background. Other factors relating to on screen diversity through subject matter: where the film attaches value to those aspects or dimensions of self and/or community identity in relation to religion or beliefs.

Some examples of recent Film Fund films that meet these criteria include: BELLE, PRIDE, SUFFRAGETTE, GONE TOO FAR, THE SELFISH GIANT, PHILOMENA, X+Y, THE DUKE OF BURGUNDY, FOR THOSE IN PERIL, CATCH ME DADDY, CALVARY, 45 YEARS. …

Search by... Author
Show... All Results Primary Sources Peer-reviewed

Oops!

An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.