Magazine article Times Educational Supplement

James Morwood by Richard Curtis

Magazine article Times Educational Supplement

James Morwood by Richard Curtis

Article excerpt

When he arrived at Harrow, Curtis hoped he would shine on the sports field, but it was his school magazine and its enthusiastic editor that set the film-maker on the path to fame

One of the most important moments of my life was the first five minutes of the first rugby game I ever played at Harrow School. I thought I was a jack of all sporting trades - alas, within those five minutes it became obvious that I was never going to get on to any team. My entire view of myself changed. That's where James Morwood came in.

James was a Classics teacher. But, crucially, he was also the editor of The Harrovian: the weekly school magazine. I thought I was going to be playing rugby, but I found myself getting involved in the magazine instead. It's not an exaggeration to say that the start of everything I do now was thanks to James.

Every Monday we would have long editorial meetings where I learned all the skills that made me a sketch writer. I did reviews, comment pieces and funny articles where I'd try to conjure something out of nothing. I'd write "The 10 stupidest words we use at school" or I'd file a review of the school play in the style of T S Eliot. James was immensely encouraging. He was very particular and pedantic, very quality-driven but fundamentally impish.

I remember starting to write a weekly soap opera for the magazine. In the very first instalment a boy fell out of a window and was killed on the spikes of the railing below. James thought it was excellent, but the headmaster was less forthcoming. It never went to press. And that is why I'm a comedy writer and not the author of dodgy thrillers.

Near my final term, James had the idea that I would direct a play in Speech Room, the big school hall. I think I was the first boy to do so. I chose The Erpingham Camp by Joe Orton - an immensely satirical play - and the fact that James gave me the green light to do it was, essentially, him letting me know that it was all right to push boundaries and to be funny.

People used to think that if you were serious and scholastic - which I was - then you couldn't be funny as well. James was absolutely key in helping me to square that circle. There were plenty of boring Henry James plays we could have done, or a miserable Harold Pinter, but James was thrilled that I came back with The Erpingham Camp, which was pretty much the most anarchic play one could find. …

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