Magazine article The Spectator

Blooming Fantastic

Magazine article The Spectator

Blooming Fantastic

Article excerpt


NOTHING quite prepares you for the sheer force of the charm offensive that greets you when you come face to face with Susana Valeria Rosa Maria Gil Passo, more formally known as Lady Walton. The widow, and greatest champion, of the composer Sir William Walton who died in 1983, she has created, over a period of more than 40 years, an enchanting and spectacular garden on the island of Ischia, their Mediterranean home in the Bay of Naples. They named it La Mortella, the local word for the myrtle, the plant which grows in profusion over the island's hillsides.

Susana Gil, the daughter of a prosperous Buenos Aires lawyer, was born in Argentina. She met William Walton in 1948 when she was just 22 and he was 24 years older. Even then, her powers of persuasion were formidable. She talked her parents into allowing her to become engaged to the visiting English composer within two weeks of meeting him. And, regardless of his somewhat rakish reputation, it seems to have been love at first sight for both of them. After the wedding, their return to London was short-lived for, apart from his music, his other ambition was to build a house and settle in the peace and tranquillity of the Bay of Naples.

Which is why they found their way to Ischia. In the early 1950s, while Sir William was completing his opera Troilus and Cressida, Lady Walton started work, with the help of Russell Page, the leading garden designer of the time, on a three-acre rocky canyon they had bought. It was this unlikely setting that, over the following decades, became the most spectacular cliffside house and garden. She describes it as a tropical garden in a lava stream with great rocks as its most important feature. And it is the garden, La Mortella, that attracts thousands of visitors from all over Europe every year.

As the house was being built and the garden developed, the music poured from Sir William's imagination. Facade, Crown Imperial, the First Symphony, the Henry V film music had come many years earlier, but while Lady Walton worked her magic in the garden, bringing in exotic trees, flowers and plants from all over the world, he composed his Second Symphony, the Battle of Britain film score, Five Bagatelles for Guitar, the Hindemith Variations, The Bear, and much, much more. They inspired each other.

It was a collusion that has resulted not only in a lush, terraced estate of pools and fountains, huge tree ferns, palms and more than 300 rare and exotic plants. It has also brought a William Walton museum and a 250-seat concert hall, built into the rocky quarry face, master-classes and workshops every summer to encourage young musicians and opera singers, and regular concerts. Indeed Lady Walton was awarded an MBE last year for her work in music education. It is all part of her dedication to maintaining Sir William's legacy by providing opportunities for young musicians. And next year, the centenary of his birth, there will be performances of his works by orchestras across Britain, not to mention special celebrations at La Mortella.

The real secret of getting the most out of a visit to the gardens is to seek out Lady Walton herself. She is not hard to find. She is regularly seated at her favourite table in a discreet little tea-room, sipping Fortnum & Mason tea served in exquisite Chinese pots. As Sir William's music plays over the speakers, she tells stories of the creation of La Mortella with unflagging enthusiasm. …

Search by... Author
Show... All Results Primary Sources Peer-reviewed


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.