Magazine article Screen International

Ziskind Joins Egypt’s Film Clinic as Euro Rep

Magazine article Screen International

Ziskind Joins Egypt’s Film Clinic as Euro Rep

Article excerpt

Paris-based producer Daniel Ziskind has signed to act as the European representative of Egyptian Mohamed Hefzy's Cairo-based production house Film Clinic.

Under the accord, Ziskind will support Film Clinic's co-production and sales activities in Europe.

"I'm very happy to join the Film Clinic family," Ziskind said. "The company has a great line-up and strategy."

First feature

The first project under the collaboration will be Mohamed Diab's drama Clash, his second film after the much-praised Cairo 678 tackling sexual harassment through the experiences of women on a bus.

Set against the backdrop of violent demonstrations that erupted at the end of former Egyptian President Mohamed Morsi's Islamist reign in summer of 2013, Clash revolves around two groups of opposing protestors who find themselves trapped in the same police van as fighting rages around them.

"It's a timely film in this strange time that we're living through," said Ziskind.

The feature is a French-Egyptian coproduction involving Film Clinic, French distributor and producer Eric Lagesse's Sampek Productions and Franco-German broadcaster Arte's French film arm, Arte France Cinema. Lagesse's Pyramide International will handle world sales.

Prolific producer

Hefzy is currently one of Egypt's busiest and most internationally-minded producers. Past credits include Ahmad Abdalla's Microphone and Rags and Tatters, Mohamed Khan's Before the Summer Crowds and Emirati filmmaker Ali Mostafa's pan-Arab road movie From A to B.

Ongoing projects on Film Clinic's slate include Abdalla's next feature Black Tea, an adaptation of Lebanese writer Rabee Jaber's 1995 novel, and a the first feature of Sherif El Bendary's Two Rooms And A Parlour, his first feature after a series of critically-acclaimed shorts including Dry Hot Summers. …

Search by... Author
Show... All Results Primary Sources Peer-reviewed

Oops!

An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.