People Making a Difference: Andi Arnovitz

Article excerpt

So perhaps it isn't surprising that she grew up to be an artist who, after a decade of life in Israel, creates mixed-fabric works that turn heads and challenges assumptions. The top part of each piece is unmistakably Palestinian, made of the central square in a traditional woman's embroidered dress. The bottom part is unambiguously Jewish, made to resemble the knotted strings that hang either from a prayer shawl or other religious men's garb. The end result: a colorful hybrid cloth, each piece mixing an Arabic qabbeh with Jewish tsitsit, fittingly named "Garments of Reconciliation." "This is about putting oneself in the other person's clothing. And I think that's the only way we're going to get anywhere," Ms. Arnovitz explains in her sunny studio, where 30 child-sized garments hang on the wall waiting for an appropriate exhibition space. A life-size version of one is now on exhibit at the Stern Gallery at the Hebrew University of Jerusalem. "I deliberately made them small because ... I think peace education starts early," says Arnovitz, who retains something of the friendly Midwestern girl with apple-red cheeks and a joyful mess of curly hair. "I tried to take two classic cultural garments of two peoples in conflict. It was a way of bringing together two traditions in a gentler way, with my own hands." This fusion was sure to raise eyebrows, says one of the gallery owners who deals in Arnovitz's work. "The combination will be shocking to some people," says Karyn Gellman of State of the Arts in Jerusalem. "But it's that refreshing, contemporary take on things ancient that I find fascinating. Arnovitz has really carved a niche for herself in the integration of textiles, which is unique to her work. It's so modern, but it rests on ancient texts, and there's something very original about it." It's not the first controversial piece she's produced - and probably not the last. One of her recent creations is a set of translucent clothes representing the sotah, or a woman accused of adultery in biblical times, on display at a feminist art gallery in Jerusalem. Arnovitz and her husband, David, came to Israel in 1999, ostensibly for a two-year sabbatical. They soon found themselves at home and decided they wanted to stay for the long haul. The beauty of Jerusalem and the biblical vistas inspired her paintings, etchings, and collages. Her art took off. Patrons loved her print work which, in her words, often focuses on "romanticized" snapshots of life here, repeating motifs of cypress leaves, palm trees, walled Jerusalem, and its stone archways. Around the same time, however, the Palestinian intifada, or uprising, hit, darkening the mood. …


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