Newspaper article The Christian Science Monitor

'Harry Potter and the Deathly Hallows - Part 2': The Bookend of a Generation

Newspaper article The Christian Science Monitor

'Harry Potter and the Deathly Hallows - Part 2': The Bookend of a Generation

Article excerpt

Since 1997, the adventures of Harry Potter have not only entertained, but also shaped the morals and attitudes of a generation. Will Harry Potter's impact remain afloat after tomorrow's release of the final movie, 'Harry Potter and the Deathly Hallows - Part 2'?

To the uninitiated, Harry Potter may be merely the headliner in a top-selling franchise encompassing a seven-book series and, as of July 15, eight films. But to many in the generation that came of age alongside Harry, Hermione, Ron, and their fellow young witches and wizards at Hogwarts School of Witchcraft and Wizardry, the books are tantamount to a moral compass, a map through the morass of modern life.

When Connecticut high school senior Lily Zalon was 5 years old, her father brought home "Harry Potter and the Sorcerer's Stone," the first of the best-selling series, which in her words "became my entire childhood."

The story about "the boy who lived," the young wizard who survived an attack by the Dark Lord, Voldemort, and went on to become the hero of the magical world, "shaped my moral views, my understanding of how people should treat each other, and how we should behave in the world," says Ms. Zalon. "It's a pretty good guide to being a decent human being."

Zalon is far from alone. Despite early misgivings by some church groups, the phenomenon of the bestselling children's book series of all time - some 450 million copies in 68 languages - has come to define a generation, says Prof. Henry Jenkins at the University of Southern California's Annenberg School for Communication and Journalism.

He points to the youthful cohort that read "Harry Potter" books between 1997, when the first installment arrived, and 2007, when the final chapter was written.

The characters have touched readers on an unprecedented scale, he says, adding that the series managed this broad impact at the very moment that the larger media culture was breaking up into niche markets and fragmented audiences.

" 'Harry Potter' is pure, cultural capital," he says, noting that this commonality "flies in the face of the commonly accepted notion that we are losing shared cultural norms."

The franchise hit just as the Internet moved from being an obscure tool of the elite to mass use, he notes. "The fandom was sharpened dramatically by the power of new media," he says, pointing to everything from blogs and fanzines, podcasts and music, and other user-generated content based on the "Harry Potter" books.

This unprecedented ability to share common interests leveraged a key element of the fantasy genre, says Elisabeth Rose Gruner, associate professor of English at the University of Richmond in Virginia.

"Fantasy literature tends to have a moral bent to it," she says, noting the struggle between good and evil that runs through its classics. …

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