Newspaper article The Christian Science Monitor
Diego Rivera Helped Reveal Mexico's Culture
Almost everything about painter Diego Rivera (1886-1957) is larger than life: his vast murals depicting Mexican history, his influence on nearly a century of Mexican artists, and of course, his own persona as a poet of the people - which he cultivated almost as assiduously as his art.
A new show, "Diego Rivera: Art and Revolution," at the Los Angeles County Museum of Art (LACMA) is dedicated in part to looking beneath the Rivera myth. It explores the artist's stylistic radicalism. At the same time, it examines his historically underplayed relationship to significant trends in European art, such as Cubism and neoclassicism.
The collection of more than 100 paintings, prints, and drawings has been assembled by the Cleveland Museum of Art and Mexico's Consejo Nacional Para la Cultura y las Artes. "Rivera was one of the great innovators of 20th-century art," says Lynn Zelevansky, LACMA curator of modern and contemporary art. "America was a backwater artistically at the beginning of this century, and Mexico was far ahead artistically." Rivera's contribution, Ms. Zelevansky says, was his ability to "combine the most radical avant-garde strategies of the time with indigenous themes to create a public art that feels contemporary." One of the ironies revealed by the show is that Rivera, whose career became synonymous with Mexican nationalism, was not in his native land during his country's violent years of political upheaval (1910-1920). The young artist was in Europe mingling with some of the biggest names of the day - Picasso, Modigliani, and Mondrian among them. The works in the show reveal Rivera's stylistic debt to these fellow radicals. "Zapatista Landscape" (1915) is a good example of his exploration of Cubist principles. His many forays into the aesthetic concerns of colleagues such as Czanne also reveal the foundation upon which he drew when he returned to Mexico and launched an aesthetic revolution of his own. …