Van Gogh and Gauguin: Electric Arguments and Utopian Dreams

By Bradley Collins | Go to book overview

— 4 —
Jean Valjean and
the Buddhist Monk

Van Gogh in Anticipation of Gauguin

I

From the winter until the fall of 1888, when Gauguin joined Vincent in Arles, both artists made tremendous artistic strides. Vincent famously reached that "high yellow note" that allowed him to produce some of the most accomplished works in his oeuvre. And Gauguin in Pont-Aven finally broke free of all vestiges of Impressionism to create his first fully Symbolist paintings. It would be an exaggeration to say that the two artists' entirely epistolary relationship during this period proved indispensable to their artistic advances. But it certainly affected the content, the quantity, and, in subtle ways, the style of their output. On the emotional level, the impact was greatest on Vincent, who turned the prospect of sharing his "Yellow House" with Gauguin into an overriding obsession. Yet Gauguin, who received many letters from Vincent and could read those sent to Bernard, did not remain unaffected. He became absorbed by a sensibility whose depths he had hardly penetrated in Paris.

The central drama during these months was when and how Gauguin would make his way to Arles. As early as May, Theo and Vincent had offered to pay Gauguin's living expenses in Arles in exchange for paintings. Yet it would take

-85-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Van Gogh and Gauguin: Electric Arguments and Utopian Dreams
Table of contents

Table of contents

  • Title Page *
  • Contents v
  • Illustrations vii
  • Preface xi
  • 1 - Van Gogh 1
  • 2 - Gauguin 39
  • 3 - Van Gogh in Paris and First Encounters with Gauguin 65
  • 4 - Jean Valjean and the Buddhist Monk 85
  • 5 - Electric Arguments 129
  • 6 - Aftermath 193
  • Chronology 233
  • Notes 237
  • Selected Bibliography 253
  • Index 257
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 264

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.