Early American Modernist Painting, 1910-1935

By Abraham A. Davidson | Go to book overview
List of Illustrations
1. Illustration in Scribner's Magazine, 63 (1918), p. 484.
2. Braque-Picasso Exhibition at 291. Photograph by Alfred Stieglitz, with permission of Georgia O'Keeffe for the Alfred Stieglitz Estate.
3. O'Keeffe Exhibition at An American Place, 1931. Photograph by Alfred Stieglitz, with permission of Georgia O'Keeffe for the Alfred Stieglitz Estate.
4. Alfred Stieglitz, The Hand of Man, 1902. Photogravure. Art Institute of Chicago.
5. Marsden Hartley, Landscape No. 32, 1911. Watercolor on paper, 14⅛" x 10". University Gallery, University of Minnesota, on extended loan from lone and Hudson Walker.
6. Marsden Hartley, Military, 1913. Oil on canvas, 39¼" x 39¼". Wadsworth Atheneum, Hartford, Connecticut, the Ella Gallup Sumner and Mary Catlin Sumner Collection.
7. Marsden Hartley, Painting No. 4, 1915. Oil on canvas, 42" x 34¾". Philadelphia Museum of Art, Alfred Stieglitz Collection.
8. Marsden Hartley, Portrait of a German Officer, 1914. Oil on canvas, 68¼" x 41⅜". The Metropolitan Museum of Art, New York, Alfred Stieglitz Collection.
9. Marsden Hartley, Movement No. 9, 1916. Oil on composition board, 24⅛" x 20⅛". University Gallery, University of Minnesota.
* 10. Max Weber, Fleeing Mother and Child, 1913. Oil on canvas, 40" x 24". New Jersey State Museum, Trenton, gift of the Friends of the New Jersey State Museum and Museum Purchase.
11. Max Weber, Rush Hour, New York, 1915. Oil on canvas, 36¼" x 30¼". National Gallery of Art, gift of the Avalon Foundation, 1970.
12. Max Weber, New York at Night, 1915. Oil on canvas, 33⅞" x 201/16". University Art Museum, University of Texas at Austin, James and Mary Michener Collection.
13. Max Weber, Conversation, 1919. Oil on canvas, 42" x 32". Marion Koogler McNay Art Institute, San Antonio, Texas.
14. Max Weber, Abstraction, 1917. Gouache, 18⅞ " x 11½". Bernard Danenberg Galleries, New York.
15. Abraham Walkowitz, New York, 1917. Ink, pencil, and watercolor on paper,
____________________
*
Also illustrated in color

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Early American Modernist Painting, 1910-1935
Table of contents

Table of contents

  • Early American Modernist Painting 1910-1935 *
  • Contents *
  • Preface *
  • Introduction *
  • 1 - The Stieglitz Group *
  • 2 - The Arensberg Circle *
  • 3 - Color Painters *
  • 4 - Some Early Exhibitions, Collectors, and Galleries *
  • 5 - Precisionism *
  • 6 - The Independents *
  • Epilogue *
  • Bibliography *
  • List of Illustrations *
  • Index *
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 324

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.