Contemporary Gay American Poets and Playwrights: An A-to-Z Guide

By Emmanuel S. Nelson | Go to book overview

Carolyn Jack of the Cleveland Plain Dealer wrote in her 1994 review, “Saved or Destroyed cannot be listened to simply as theater while Kondoleon’s death is yet so fresh. Over time, its elements may prove too many and its noise too harsh. But for now, the silence when it stops is shattering” (E10). Six years later New York Times theater Critic Ben Brantley reiterated the power of Kondoleon’s final play, stating that it was “essential viewing for any lover of theater” (E1).


BIBLIOGRAPHY

Works by Harry Kondoleon

Plays

The Brides. Produced at Lenox Arts Center, Massachusetts, 1980. Produced off-off Broadway at Cubiculo Theatre, 1981. In Wordplays 2. Ed. Bonnie Marranca. New York: Performing Arts Journal Publications, 1982. 97–114.

The Cote d’Azur Triangle. Produced at Actors Studio, New York, 1980.

Rococo. Produced at Yale Repertory Theatre, New Haven, Connecticut, 1981.

Andrea Rescued. Produced at Double Image Theatre, New York, 1982.

The Fairy Garden. Produced at Double Image Theatre, New York, 1982. In Out Front: Contemporary Gay and Lesbian Plays. Ed. Don Shewey. New York: Grove Press, 1988. 419–47.

Self Torture and Strenuous Exercise. Produced at Double Image Theatre, New York, 1982. In Self Torture and Strenuous Exercise: The Selected Plays of Harry Kondoleon. New York: Theatre Communications Group, 1991. 1–28. In Two Short Plays. New York: Dramatists Play Service, 1985.

Christmas on Mars. Produced at Playwrights Horizons, New York, 1983. New York: Dramatists Play Service, 1983. In Self Torture and Strenuous Exercise: The Selected Plays of Harry Kondoleon. New York: Theatre Communications Group, 1991. 53–110.

Slacks and Tops. Produced at Manhattan Theatre Club, New York, 1983. New York: Dramatists Play Service, 1983. In Self Torture and Strenuous Exercise: The Selected Plays of Harry Kondoleon. New York: Theatre Communications Group, 1991. 29–52.

Linda Her. Produced at Second Stage, New York, 1984. In Two Short Plays. New York: Dramatists Play Service, 1985.

The Vampires. Produced at Empty Space Theatre, Washington, 1984. New York: Dramatists Play Service, 1984. In Self Torture and Strenuous Exercise: The Selected Plays of Harry Kondoleon. New York: Theatre Communications Group, 1991. 111–73.

Anteroom. Produced at Playwrights Horizons, New York, 1985. New York: Dramatists Play Service, 1986. In Self Torture and Strenuous Exercise: The Selected Plays of Harry Kondoleon. New York: Theatre Communications Group, 1991. 175–233.

Play Yourself. Produced at Seattle Repertory Theatre, 1987.

The Poets’ Corner. Produced at Magic Theater, San Francisco, 1988.

Zero Positive. Produced at the New York Shakespeare Festival’s Public Theatre, 1988. New York: Dramatists Play Service, 1989. In The Way We Live Now: American Plays and the AIDS Crisis. Ed. M. Elizabeth Osborne. New York: Theatre Communications Group, 1990. 205–79.

-234-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Contemporary Gay American Poets and Playwrights: An A-to-Z Guide
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Preface xiii
  • Edward Albee (1928–) 1
  • Jeff Baron (1952–) 11
  • Jeffery Beam (1953–) 19
  • David Bergman (1950–) 25
  • Alan Bowne (1945–1989) 29
  • Donald Britton (1951–1994) 38
  • James Broughton (1913–1999) 43
  • Bibliography 50
  • Victor Bumbalo (1946–) 54
  • Charles Busch (1954–) 61
  • Leo F. Cabranes-Grant (1960–) 69
  • Robert Chesley (1943–1990) 74
  • Justin Chin (1969–) 82
  • Alfred Corn (1943–) 87
  • Mart Crowley (1935–) 93
  • Melvin Dixon (1950–1992) 101
  • Bibliography 106
  • Tim Dlugos (1950–1990) 108
  • Bibliography 116
  • Mark Doty (1953–) 117
  • Bibliography 123
  • David Drake (1963–) 125
  • Robert Duncan (1919–1988) 130
  • Christopher Durang (1949–) 141
  • Edward Field (1924–) 147
  • Harvey Fierstein (1954–) 153
  • William Finn (1952–) 162
  • Kenny Fries (1960–) 171
  • Allen Ginsberg (1926–1997) 178
  • Thom Gunn (1929–) 188
  • Bibliography 196
  • Essex Hemphill (1957–1995) 198
  • William M. Hoffman (1939–) 205
  • Richard Howard (1929–) 212
  • Bibliography 215
  • Maurice Kenny (1929–) 217
  • Bibliography 220
  • Rudy Kikel (1943–) 222
  • Harry Kondoleon (1955–1994) 230
  • Bibliography 234
  • Larry Kramer (1935–) 236
  • Tony Kushner (1956–) 246
  • Michael Lassell (1947–) 260
  • Timothy Liu (1965–) 268
  • Craig Lucas (1951–) 272
  • Charles Ludlam (1943–1987) 280
  • J.D. Mcclatchy (1945–) 288
  • Bibliography 291
  • Terrence Mcnally (1939–) 293
  • Bibliography 307
  • Scott Mcpherson (1959–1992) 309
  • James Merrill (1926–1995) 316
  • Paul Monette (1945–1995) 323
  • Frank O’hara (1926–1966) 334
  • Bibliography 340
  • Robert O’hara (1970–) 342
  • Peter Parnell (1953–) 349
  • Carl Phillips (1959–) 357
  • Kenneth Pobo (1954–) 363
  • D.A. Powell (1963–) 369
  • Bibliography 376
  • Guillermo Reyes (1962–) 377
  • Bibliography 382
  • Assotto Saint (yves FranÇois Lubin) (1957–1994) 383
  • Bibliography 387
  • F. Allen Sawyer (1957–) 388
  • Bibliography 392
  • James Schuyler (1923–1991) 393
  • Reginald Shepherd (1963–) 398
  • Bibliography 405
  • Martin Sherman (1938–) 406
  • Aaron Shurin (1947–) 412
  • David Trinidad (1953–) 421
  • Gore Vidal (1925–) 427
  • Bibliography 435
  • Jonathan Williams (1929–) 438
  • Doric Wilson (1939–) 444
  • Lanford Wilson (1937–) 451
  • Chay Yew (1966–) 461
  • Selected Bibliography 467
  • Index 469
  • About the Contributors 477
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 480

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.