Japanese Aesthetics and Culture: A Reader

By Nancy G. Hume | Go to book overview
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Japanese Aesthetics and Culture: A Reader
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface vii
  • Introduction xi
  • Historical Periods xvii
  • Notes on Language, Pronunciation, and Names xix
  • Chapter 1 - Japanese Literature: Four Polarities 1
  • Notes 24
  • Chapter 2 - Japanese Aesthetics 27
  • Notes 41
  • Chapter 3 - The Vocabulary of Japanese Aesthetics, I, Ii, III 43
  • Notes 75
  • Chapter 4 - Ways of Japanese Thinking 77
  • Notes 104
  • Chapter 5 - Feminine Sensibility in the Heian Era 109
  • Notes 122
  • Chapter 6 - Approach to Haiku and "Basic Principles" 125
  • Notes 147
  • Chapter 7 - Bashō on the Art of the Haiku: Impersonality in Poetry 151
  • Notes 174
  • Chapter 8 - Zeami on the Art of the Nō Drama: Imitation, Yūgen, and Sublimity 177
  • Notes 191
  • Chapter 9 - The Social Environment of Tokugawa Kabuki 193
  • Notes 236
  • Chapter 10 - The Wabi Aesthetic through the Ages 245
  • Notes 275
  • Chapter 11 - BushidŌ: Mode or Ethic? 279
  • Notes 293
  • Chapter 12 - Culture in the Present Age 295
  • Notes 338
  • Glossary 341
  • Annotated Bibliography 353
  • Index 369
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 378

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.