Fashion Spreads: Word and Image in Fashion Photography since 1980

By Paul Jobling | Go to book overview

List of Figures
1–3 ‘Guys N Dolls’, photographer Mark Lewis, stylist Finbar at Max Presents, The Face July/August 1988, courtesy of The Face/ Wagadon Ltd.
4 Bruce Weber, ‘New Morning Nebraska – Pioneers of 82 Wear Plains Clothes’, British Vogue January 1982, courtesy of Bruce Weber.
5 and 6 Bruce Weber, ‘Under Weston Eyes – Bruce Weber in a Romantic Encounter With Edward Weston’, British Vogue December 1982, courtesy of Bruce Weber.
7 Sheila Rock, ‘Style: A West Side Story’, The Face October 1981, courtesy of The Face/Wagadon Ltd.
8 ‘The Last Daze of the Raj’, photographer Sheila Rock, stylist Stephen Linard, The Face May 1983, courtesy of The Face/ Wagadon Ltd.
9 ‘Heavy Metal’, photographers Buffalo (Jamie Morgan and Ray Petri), The Face April 1986, courtesy of The Face/Wagadon Ltd.
10 ‘Flesh’, model Nick Moss, photographer Mario Sorrenti, stylist Cathy Dixon, The Face April 1993, courtesy of The Face/ Wagadon Ltd.
11 ‘Cuba Libre’, photographer Juergen Teller, stylist Venetia Scott, The Face February 1992, courtesy of The Face/Wagadon Ltd.
12 ‘Leisure Lounge’, photographer Andrea Giacobbe, stylist Maida, The Face October 1994, courtesy of The Face/Wagadon Ltd.
13 ‘England's Dreaming’, photographer Corinne Day, stylist Melanie Ward, The Face August 1993, courtesy of The Face/Wagadon Ltd.
14 ‘London March 88’, photographer Andrew Bettles, stylist Paul Frecker, The Face May 1988, courtesy of The Face/Wagadon Ltd.
15 ‘Head Hunters – Back To The No Future’, photographer Jean Baptiste Mondino, stylist Judy Blame, The Face August 1993, courtesy of The Face/Wagadon Ltd.

-xi-

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Fashion Spreads: Word and Image in Fashion Photography since 1980
Table of contents

Table of contents

  • Title Page *
  • Contents vii
  • Acknowledgements ix
  • List of Figures xi
  • Introduction 1
  • Notes *
  • Part 1 - Back to the Future: Fashion Publishing since 1980 15
  • Introductionto Part 1 17
  • Notes *
  • 1 - Vogue 19
  • Notes *
  • 2 - The Face 35
  • Notes *
  • 3 - Arena 49
  • Notes *
  • Conclusion - To Part 1 59
  • Notes *
  • Part 2 - Written Clothing and Image- Clothing: Roland Barthes' ‘the Fashion System' in Perspective 63
  • Introductionto Part 2 65
  • Notes *
  • 4 - ‘the Fashion System’: a Synopsis 69
  • Notes *
  • 5 - Going beyond ‘the Fashion System’: a Critique 83
  • Notes *
  • Conclusion - To Part 2 101
  • Notes *
  • Part 3 - Bodylines: Identity and Othernessin Fashion Photography since 1980 105
  • Introductionto Part 3 107
  • Notes *
  • 6 - Who's That Girl? Alex and Kate: a Tale of Two Bodies in Contemporary Fashion Photography 111
  • Notes 136
  • 7 - ‘statue Men’: the Phallic Body, Identity and Ambiguity in Fashion Photography 143
  • Notes 180
  • Appendix 1 - Directoryof Fashion Photographers, Stylistsand Magazine Features 1980–1996 189
  • Appendix 2 - Photographersfor British ‘vogue’1980–1995 211
  • Bibliography 215
  • Index 235
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