Philosophy of the Film: Epistemology, Ontology, Aesthetics

By Ian Jarvie | Go to book overview
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Philosophy of the Film: Epistemology, Ontology, Aesthetics
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Preface ix
  • Acknowledgments xv
  • Introduction - On the Very Idea of a Philosophy of the Film: Casablanca 1
  • Part One - Movies as a Philosophical Problem 29
  • 1 - Knowledge and Existence 31
  • 2 - Plato and the Cave 44
  • 3 - The Golden Mountain, USDA Approval and Realism 56
  • 4 - Films and Academic Philosophy 66
  • Part Two - Movies as an Aesthetic Problem 139
  • 5 - Art and Science 141
  • 6 - Aesthetics and Essentialism 150
  • 7 - Arguments against Films as Art 164
  • 8 - Films as Art 220
  • Part Three - Philosophical Problems on Film 247
  • 9 - Philosophy 249
  • 10 - Popular Philosophy 253
  • 11 - On Interpretation 259
  • 12 - Citizen Kane and the Essence of a Person 267
  • 13 - Rashomon: Is Truth Relative? 295
  • 14 - Persona: The Person as a Mask 308
  • 15 - Woody Allen and the Search for Moral Integrity 330
  • Notes 353
  • Bibliography 364
  • Index of Subjects 376
  • Index of Names 386
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