FALDER. Oh, sir! There's some one -- I did it for her. Let me be till to-morrow.

[JAMES motions with his hand. At that sign of hardness, FALDERbecomes rigid. Then, turning, he goes out quietly in the detectives grip. JAMES follows, stiff and erect. SWEEDLE, rushing to the door with open mouth, pursues them through the outer office into the corridor. When they have all disappeared COKESONspins completely round and makes a rush for the outer office.]

COKESON. [Hoarsely.] Here! Here! What are we doing? [There is silence. He takes out his handkerchief and mops the sweat front his face. Going back blindly to his table, sits down, and stares blankly at his lunch.]

The curtain falls.


ACT II

A Court of Justice, on a foggy October afternoon -- crowded with barristers, solicitors, reporters, ushers, and jurymen. Sitting in the large, solid dock is FALDER, with a warder on either side of him, placed there for his safe custody, but seemingly indifferent to and unconscious of his presence. FALDERis sitting exactly opposite to the JUDGE, who, raised above the clamour of the court, also seems unconscious of and indifferent to everything. HAROLD CLEAVER, the counsel for the Crown, is a dried, yellowish man, of more than middle age, in a wig worn almost to the colour of his face. HECTOR FROME, the counsel for the defence, is a

-181-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Representative Plays
Table of contents

Table of contents

  • Title Page iii
  • Introduction v
  • Contents *
  • The Silver Box - A Comedy in Three Acts 1
  • Act I 3
  • Scene II 6
  • Scene III 11
  • Scene III 28
  • Scene III 28
  • Scene III 36
  • Act III 53
  • Strife - A Drama in Three Acts 73
  • Act II 102
  • Act II 102
  • Act II 119
  • Act II 134
  • Justice - A Tragedy in Four Acts 161
  • Act II 181
  • Act II 209
  • Act II 209
  • Scene II 218
  • Scene III 226
  • Act IV 229
  • The Pigeon - A Drama in Three Acts 249
  • Act II 273
  • Act II 299
  • A Bit O'Love - A Play in Three Acts 319
  • Act II 344
  • Act II 344
  • Act II 357
  • Act II 364
  • Act III 368
  • Scene II 377
  • Loyalties 387
  • Loyalties 389
  • Scene II 417
  • Act II 417
  • Act II 438
  • Act II 438
  • Act II 455
  • Act II 462
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 469

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.